Description
In chronologically and thematically devised chapters the publication shows how the influence of folk art and archaic sculpture as well as the works of Paul Cezanne initially became increasingly evident in the paintings of Picasso and Braque. From 1908 crystalline, geometric elements as it were, appear. Until 1911 the characteristic prismatically fragmented forms and an almost colourless austerity dominated. The new pictorial language was taken up by artists like Juan Gris, Fernand Leger, Robert and Sonia Delaunay and Henri Le Fauconnier, who developed and presented it in large formats in the Salon exhibitions of the Paris art world.
Book Information
ISBN 9783777432625
Author Josef Helfenstein
Format Hardback
Page Count 320
Imprint Hirmer Verlag
Publisher Hirmer Verlag
Weight(grams) 2280g