Description
From the canonical texts of the Arts and Crafts Movement to the radical thinking of today's "DIY" movement, from theoretical writings on the position of craft in distinction to Art and Design to how-to texts from renowned practitioners, from feminist histories of textiles to descriptions of the innovation born of necessity in Soviet factories and African auto-repair shops...The Craft Reader presents the first comprehensive anthology of writings on modern craft. Covering the period from the Industrial Revolution to today, the Reader draws on craft practice and theory from America, Europe, Asia and Africa. The world of craft is considered in its full breadth -- from pottery and weaving, to couture and chocolate-making, to contemporary art, architecture and curation. The writings are themed into sections and all extracts are individually introduced, placing each in its historical, cultural and artistic context. Bringing together an astonishing range of both classic and contemporary texts, The Craft Reader will be invaluable to any student or practitioner of Craft and also to readers in Art and Design. AUTHORS INCLUDE: Theodor Adorno, Anni Albers, Amadou Hampate Ba, Charles Babbage, Roland Barthes, Andrea Branzi, Alison Britton, Rafael Cardoso, Johanna Drucker, Charles Eames, Salvatore Ferragamo, Kenneth Frampton, Alfred Gell, Walter Gropius, Tanya Harrod, Martin Heidegger, Patrick Heron, Bernard Leach, Esther Leslie, W. R. Lethaby, Lucy Lippard, Adolf Loos, Karl Marx, William Morris, Robert Morris, Laszlo Moholy-Nagy, Stefan Muthesius, George Nakashima, Octavio Paz, Grayson Perry, M. C. Richards, John Ruskin, Raphael Samuel, Ellen Gates Starr, Debbie Stoller, Alexis de Tocqueville, Lee Ufan, Frank Lloyd Wright
A collection for students of the key writings - classic and contemporary - on all aspects of Craft History, Theory & Practice
About the Author
Glenn Adamson is Deputy Head of Research and Head of Graduate Studies at the Victoria and Albert Museum. He is author of Thinking Through Craft and co-editor of the Journal of Modern Craft
Reviews
The scope of the Craft Reader is breathtaking. Finally, here is a text that successfully contextualizes the diverse range of writings on craft. By gathering these thoughts into a clearly articulated set of arguments Adamson has helped to shape the field of craft discourse. This book will stand as an invaluable tool for craft scholars. * Sandra Alfoldy, Nova Scotia College of Art & Design *
A much needed outline history of 19th and 20th century crafts within a wide social and cultural context, as well as an overview of the most important issues in crafts today. * Stefan Muthesius, University of East Anglia *
This anthology confirms, in multiple ways across a century and a half of continual practice and debate, that the presence of craftsmanship is virtually inseparable from the design and realization of the material world. * Kenneth Frampton, Columbia University *
Glenn Adamson's Craft Reader is the rarest of anthologies: at once an excellent and wide-reaching compilation of craft scholarship, and a provocative challenge to the same. * Maria Elena Buszek, Kansas City Art Institute *
The idea of craft has jumped to the forefront of creative work. The many young artisans now engaged in digital fabrication, tangible interfaces, and do-it yourself electronics may enjoy reflecting on the few who kept craft alive through the industrial night, and on those whose theories and practices belong in any technological age. This astute collection gives rich context to all such thought. * Malcolm McCullough, University of Michigan *
Thought-provoking, revealing, opinionated, intelligent, accessible and comprehensive ... a huge achievement. * Grant Gibson, Crafts Magazine *
This new attention to craft, to work done through some close contact between hand and thing, has been enriched by the publication of The Craft Reader, an imposing compendium edited by Glenn Adamson, an American who is head of graduate studies and deputy head of research at the Victoria and Albert Museum in London. He has cast his net wide for this anthology, which covers two centuries of thinking by craftsmen, critics, historians, anthropologists and philosophers, including ones you might not have thought would have much to say. Alongside the proper high-class makers like Anni Albers, Bernard Leach and George Nakashima we find Alexis de Tocqueville rubbing shoulders with Karl Marx; Lee Ufan, the Korean-Japanese protagonist of the Mono-ha ("school of things") art movement, with Norbert Wiener, the father of cybernetics; and Samuel Smiles, the original self-help guru whose very name became a byword for philistine Victorian optimism, with Theodor Adorno, the glowering negative dialectician from Frankfurt. Although the book has been edited with a student readership in mind, its kaleidoscopic mix of materials means it can open fresh perspectives for anyone interested in crafts; and even readers who think they're not interested in craft will be more engaged than they expected, if they give the anthology half a chance. -- Barry Schwabsky, The Nation
This thick volume is a compendium of articles on contemporary craft. The subjects examined cover a period of time from the industrial revolution and the canonical texts of the movement "Arts & Crafts" until today. Course covers topics on the new esthetic ceramics or weight of tradition. * [Translation from] Revista de Libros *
Book Information
ISBN 9781350092648
Author Glenn Adamson
Format Paperback
Page Count 656
Imprint Bloomsbury Visual Arts
Publisher Bloomsbury Publishing PLC
Weight(grams) 1252g
A collection for students of the key writings - classic and contemporary - on all aspects of Craft History, Theory & Practice
About the Author
Glenn Adamson is Deputy Head of Research and Head of Graduate Studies at the Victoria and Albert Museum. He is author of Thinking Through Craft and co-editor of the Journal of Modern Craft
Reviews
The scope of the Craft Reader is breathtaking. Finally, here is a text that successfully contextualizes the diverse range of writings on craft. By gathering these thoughts into a clearly articulated set of arguments Adamson has helped to shape the field of craft discourse. This book will stand as an invaluable tool for craft scholars. * Sandra Alfoldy, Nova Scotia College of Art & Design *
A much needed outline history of 19th and 20th century crafts within a wide social and cultural context, as well as an overview of the most important issues in crafts today. * Stefan Muthesius, University of East Anglia *
This anthology confirms, in multiple ways across a century and a half of continual practice and debate, that the presence of craftsmanship is virtually inseparable from the design and realization of the material world. * Kenneth Frampton, Columbia University *
Glenn Adamson's Craft Reader is the rarest of anthologies: at once an excellent and wide-reaching compilation of craft scholarship, and a provocative challenge to the same. * Maria Elena Buszek, Kansas City Art Institute *
The idea of craft has jumped to the forefront of creative work. The many young artisans now engaged in digital fabrication, tangible interfaces, and do-it yourself electronics may enjoy reflecting on the few who kept craft alive through the industrial night, and on those whose theories and practices belong in any technological age. This astute collection gives rich context to all such thought. * Malcolm McCullough, University of Michigan *
Thought-provoking, revealing, opinionated, intelligent, accessible and comprehensive ... a huge achievement. * Grant Gibson, Crafts Magazine *
This new attention to craft, to work done through some close contact between hand and thing, has been enriched by the publication of The Craft Reader, an imposing compendium edited by Glenn Adamson, an American who is head of graduate studies and deputy head of research at the Victoria and Albert Museum in London. He has cast his net wide for this anthology, which covers two centuries of thinking by craftsmen, critics, historians, anthropologists and philosophers, including ones you might not have thought would have much to say. Alongside the proper high-class makers like Anni Albers, Bernard Leach and George Nakashima we find Alexis de Tocqueville rubbing shoulders with Karl Marx; Lee Ufan, the Korean-Japanese protagonist of the Mono-ha ("school of things") art movement, with Norbert Wiener, the father of cybernetics; and Samuel Smiles, the original self-help guru whose very name became a byword for philistine Victorian optimism, with Theodor Adorno, the glowering negative dialectician from Frankfurt. Although the book has been edited with a student readership in mind, its kaleidoscopic mix of materials means it can open fresh perspectives for anyone interested in crafts; and even readers who think they're not interested in craft will be more engaged than they expected, if they give the anthology half a chance. -- Barry Schwabsky, The Nation
This thick volume is a compendium of articles on contemporary craft. The subjects examined cover a period of time from the industrial revolution and the canonical texts of the movement "Arts & Crafts" until today. Course covers topics on the new esthetic ceramics or weight of tradition. * [Translation from] Revista de Libros *
Book Information
ISBN 9781350092648
Author Glenn Adamson
Format Paperback
Page Count 656
Imprint Bloomsbury Visual Arts
Publisher Bloomsbury Publishing PLC
Weight(grams) 1252g
