Description
It is commonplace to assume that the contemporary-art museum has become ever more spectacular, and the place of art ever more subservient within it. This book argues that a tendency to spectacle coexists with another equally powerful tendency, to make art museums that celebrate the artistic process, typically attempting to recreate the feeling of the artist's studio. That tendency is strongly represented in the designs for the Centre Georges Pompidou, completed in 1977, and arguably in the many contemporary art museums which have adapted former industrial buildings. Richard J. Williams's stimulating text includes many historical examples to illustrate how we got to where we are now, from the Centre Pompidou in Paris, to the Guggenheim museums in New York and Bilbao, London's Tate Modern, Oscar Niemeyer's work in Brazil and beyond, and the 798 Art District in Beijing.
About the Author
Richard J. Williams is Professor of Contemporary Visual Cultures at the University of Edinburgh. Among his most recent books are Sex and Buildings (2013), Why Cities Look the Way They Do (2019) and Reyner Banham Revisited (2021).
Reviews
'Richard J. Williams's brief but enjoyable The Culture Factory critically explores how art museums went from places of art appreciation to spaces of consumption, media, money, and entertainment over the last fifty years.' - A Weekly Dose of Architecture Books
'The Culture Factory takes the reader on an engaging tour of many of the most significant examples of museum architecture from the mid-twentieth to the early twenty-first century, to demonstrate its role in the emergence of art as merely "one point on a continuum of consumption" [...] in the contemporary experience economy.' - Burlington Contemporary
Book Information
ISBN 9781848223974
Author Richard J. Williams
Format Paperback
Page Count 144
Imprint Lund Humphries Publishers Ltd
Publisher Lund Humphries Publishers Ltd