Description
Nominated for 2022 South Atlantic Modern Language Association Book award
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge's genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia's most celebrated living director.
The fourteen essays in The Cinema of Rithy Panh explore the filmmaker's unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that "everything has a soul." They consider how Panh represents Cambodia's traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia's transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburo Oe, they examine how Panh's attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor.
Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director's lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia's cinematic visionaries.
About the Author
LESLIE BARNES is senior lecturer of French studies at the Australian National University in Canberra. She is the author of Vietnam and the Colonial Condition of French Literature. Her current project studies literary and cinematic narratives that engage with questions of sex work, mobility, and human rights in Southeast Asia.
JOSEPH MAI is an associate professor of French with an affiliation in world cinema at Clemson University in South Carolina. He is the author of Jean-Pierre and Luc Dardenne and Robert Guediguian. His scholarship examines intersections between ethics, aesthetics, cinema, and literature.
Reviews
"In this brilliant volume, sixteen scholars explore camera, voice, memory and witness in Rithy Panh's extraordinary cinema. Frame by frame, their essays reveal Panh as a global director, and Cambodia's most gifted chronicler."
-- Penny Edwards * author of Cambodge: The cultivation of a nation 1860-1945 *
"In this brilliant volume, sixteen scholars explore camera, voice, memory and witness in Rithy Panh's extraordinary cinema. Frame by frame, their essays reveal Panh as a global director, and Cambodia's most gifted chronicler."
-- Penny Edwards * author of Cambodge: The cultivation of a nation 1860-1945 *
Book Information
ISBN 9781978809802
Author Leslie Barnes
Format Hardback
Page Count 254
Imprint Rutgers University Press
Publisher Rutgers University Press
Weight(grams) 4g
Dimensions(mm) 229mm * 152mm * 23mm
Born in 1964, Cambodian filmmaker Rithy Panh grew up in the midst of the Khmer Rouge's genocidal reign of terror, which claimed the lives of many of his relatives. After escaping to France, where he attended film school, he returned to his homeland in the late 1980s and began work on the documentaries and fiction films that have made him Cambodia's most celebrated living director.
The fourteen essays in The Cinema of Rithy Panh explore the filmmaker's unique aesthetic sensibility, examining the dynamic and sensuous images through which he suggests that "everything has a soul." They consider how Panh represents Cambodia's traumatic past, combining forms of individual and collective remembrance, and the implications of this past for Cambodia's transition into a global present. Covering documentary and feature films, including his literary adaptations of Marguerite Duras and Kenzaburo Oe, they examine how Panh's attention to local context leads to a deep understanding of such major themes in global cinema as justice, imperialism, diaspora, gender, and labor.
Offering fresh takes on masterworks like The Missing Picture and S-21 while also shining a light on the director's lesser-known films, The Cinema of Rithy Panh will give readers a new appreciation for the boundless creativity and ethical sensitivity of one of Southeast Asia's cinematic visionaries.
About the Author
LESLIE BARNES is senior lecturer of French studies at the Australian National University in Canberra. She is the author of Vietnam and the Colonial Condition of French Literature. Her current project studies literary and cinematic narratives that engage with questions of sex work, mobility, and human rights in Southeast Asia.
JOSEPH MAI is an associate professor of French with an affiliation in world cinema at Clemson University in South Carolina. He is the author of Jean-Pierre and Luc Dardenne and Robert Guediguian. His scholarship examines intersections between ethics, aesthetics, cinema, and literature.
Reviews
"In this brilliant volume, sixteen scholars explore camera, voice, memory and witness in Rithy Panh's extraordinary cinema. Frame by frame, their essays reveal Panh as a global director, and Cambodia's most gifted chronicler."
-- Penny Edwards * author of Cambodge: The cultivation of a nation 1860-1945 *
"In this brilliant volume, sixteen scholars explore camera, voice, memory and witness in Rithy Panh's extraordinary cinema. Frame by frame, their essays reveal Panh as a global director, and Cambodia's most gifted chronicler."
-- Penny Edwards * author of Cambodge: The cultivation of a nation 1860-1945 *
Book Information
ISBN 9781978809802
Author Leslie Barnes
Format Hardback
Page Count 254
Imprint Rutgers University Press
Publisher Rutgers University Press
Weight(grams) 4g
Dimensions(mm) 229mm * 152mm * 23mm
