Description
About the Author
Anastasia Belina-Johnson is Deputy Head of Undergraduate Programmes at the Royal College of Music, London, the author of Die tagliche Muhe ein Mensch zu sein (2013) and A Musician Divided: Andre Tchaikowsky in his own Words (2013), and co-editor of Wagner in Russia, Poland and the Czech Lands: Musical, Literary, and Cultural Perspectives (2013). She is currently researching the performance and reception of Silver Age operetta in Poland between 1906 and 1939.
Derek B. Scott is Professor of Critical Musicology at the University of Leeds, UK. His books include: From the Erotic to the Demonic (2003), Sounds of the Metropolis (2008), and Musical Style and Social Meaning (2010). Among his edited books is The Ashgate Research Companion to Popular Musicology (2009).
Reviews
This book helps sharpen the focus of music historians, spectators-consumers of music, and the multiple actors involved in the business of opera. By taking us behind the scenes, it reminds us that opera certainly lives on the talent of its creators and performers, but survives, also, on money from those who finance it. It is one of the merits of the book to provide concrete and emblematic evidence.
Melanie Traversier, Transposition: Musique et Sciences Sociales
Book Information
ISBN 9780367597122
Author Anastasia Belina-Johnson
Format Paperback
Page Count 240
Imprint Routledge
Publisher Taylor & Francis Ltd
Weight(grams) 453g