Despite the widespread popular sense that the Bible and the works of Shakespeare are the two great pillars of English culture, and despite the long-standing critical recognition that the Bible was a major source of Shakespeare's allusions and references, there has never been a full-length, critical study of the Bible in Shakespeare's plays. The Bible in Shakespeare addresses this serious deficiency. Early chapters describe the post-Reformation explosion of Bible translation and the development of English biblical culture, compare the Church and the theater as cultural institutions (particularly in terms of the audience's auditory experience), and describe in general terms Shakespeare's allusive practice. Later chapters are devoted to interpreting Shakespeare's use of biblical allusion in a wide variety of plays, across the spectrum of genres: King Lear and Job, Macbeth and Revelation, the Crucifixion in the Roman Histories, Falstaff's anarchic biblical allusions, and variations on Adam, Eve, and the Fall throughout Shakespeare's dramatic career, from Romeo and Juliet to The Winter's Tale. The Bible in Shakespeare offers a significant new perspective on Shakespeare's plays, and reveals how the culture of early modern England was both dependent upon and fashioned out of a deep engagement with the interpreted Bible. The book's wide-ranging and interdisciplinary nature will interest scholars in a variety of fields: Shakespeare and English literature, allusion and intertextuality, theater studies, history, religious culture, and biblical interpretation. With growing scholarly interest in the impact of religion on early modern culture, the time is ripe for such a publication.

About the Author
Hannibal Hamlin is Professor of English at The Ohio State University. He has been awarded grants and fellowships from the American Council of Learned Societies, the National Endowment for the Humanities, and the Huntington Library. His work on the Bible and English literature includes Psalm Culture and Early Modern English Literature, The Sidney Psalter: Psalms of Philip and Mary Sidney, and The King James Bible after Four Hundred Years: Literary, Linguistic, and Cultural Influences, as well as the Folger Shakespeare Library-Bodleian Library-Harry Ransom Center exhibition, Manifold Greatness: The Creation and Afterlife of the King James Bible. He is editor of the journal Reformation.

Reviews
One of the many excellent features of Hannibal Hamlin's introduction to The Bible in Shakespeare is his emphasis on the spoken as well as the written word... In a book happily free of fashionable jargon, and intended for the "educated general reader as well as the academic community", Hamlin passes from a survey of Shakespears's allusive practices to a detailed study of his use of Gensis 1-3. * Gerard Kilroy, Times Literary Supplement *
The book is well presented and standards of copy-editing are good ... The Bible in Shakespeare is a fine study that deserves a wide audience. Hamlin is an excellent guide to this fascinating terrain, and his book opens up new avenues of enquiry that Shakespearean and early modern scholars will want to pursue further. * Adrian Streete, Review of English Studies *
Hamlin is a gifted reader of Wisdom literature and its precocious modernism ... This is a major book that establishes new readings of individual plays as well as an approach to biblical culture that is ready to be developed freshly in other contexts. * Julia Reinhard Lupton, SEL Studies in English Literature 1500-1900 *
Hamlin has built an impressive (and I suspect indispensable) bridge between two of the world's desert-island books. * Rev Dr Paul Edmondson, Around the Globe *



Book Information
ISBN 9780198817413
Author Hannibal Hamlin
Format Paperback
Page Count 400
Imprint Oxford University Press
Publisher Oxford University Press
Dimensions(mm) 216mm * 141mm * 22mm