Description
In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. But it was far from boring and was possessed of its own kind of diversity.
Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity
About the Author
PANG LAIKWAN is a Professor of Cultural Studies at the Chinese University of Hong Kong, and author of Creativity and Its Discontents.
Reviews
A thoughtful contribution to the writing of a new and nuanced cultural history of the Cultural Revolution. Pang's work brings a fresh optic to the question of how Chinese people lived, felt and made art in a fraught age of revolution. -- Andrew Jones, author of Yellow Music: Media Culture and Colonial Modernity in the Chinese Jazz Age
Pang Laikwan's meticulous research draws the reader into a world in which this art of copying, of making models and of typifications framed the cultural and political realm and then spread across the social landscape to fashion life itself. Offering new and exciting insights based upon impeccable research, this is one book about the Cultural Revolution that should not be missed. -- Michael Dutton, coauthor of Beijing Time
A major intervention into a fraught field. Luminously opening new and old channels of inquiry, Pang forces a reconsideration of the processes and politics of cultural production in China's Cultural Revolutionary decade. -- Rebecca Karl, author of Mao Zedong and China in the Twentieth-Century World: A Concise History
Book Information
ISBN 9781784785208
Author Pang Laikwan
Format Paperback
Page Count 320
Imprint Verso Books
Publisher Verso Books
Weight(grams) 497g
Dimensions(mm) 235mm * 156mm * 23mm