This volume brings together scholars from across Europe to critically examine TV history programming in a period of political, economic and cultural change. They look at links between programming and national identity, consider the representation of minorities, and explore a range of televisual genres and techniques.

AILEEN BLANEY is a postdoctoral scholar in Film Studies at Chung-Ang University, Seoul, South Korea LUISA CIGOGNETTI is an independent scholar JOHN CORNER is Visiting Professor in Communication Studies at the University of Leeds and Emeritus Professor at the University of Liverpool, UK JEROME DE GROOT is Lecturer in English and American Studies at the University of Manchester, UK SONJA DE LEEUW is Professor of Media and Culture Studies at Utrecht University, The Netherlands ALEXANDER DHOEST is Lecturer in Media Studies at the University of Antwerp, Belgium TOBIAS EBBRECHT is Professor of Media History at the Film and Television Academy (HFF 'Konrad Wolf'), Potsdam-Babelsberg, Germany EMMA HANNA is Senior Lecturer in History at the University of Greenwich, UK SIRA HERN NDEZ CORCHETE is Assistant Lecturer in the School of Communication at the University of Navarra, Spain AMY HOLDSWORTH is Lecturer in the Department of Theatre, Film and Television at the University of Glasgow, UK IRIS KLEINECKE-BATES is Lecturer in Film Studies at the University of Hull, UK MARGIT ROHRINGER is a Lecturer at the University of Vienna, Austria PIERRE SORLIN is Emeritus Professor of Sociology in Audiovisual Media, University of Paris III, France ISABELLE VEYRAT-MASSON is Director of Research at the Centre National de la Recherche Scientifique, Paris, France BRIAN WINSTON is the first Lincoln Chair of Communication at the University of Lincoln, UK, and was formerly Pro-Vice Chancellor

About the Author
AILEEN BLANEY is a postdoctoral scholar in Film Studies at Chung-Ang University, Seoul, South Korea LUISA CIGOGNETTI is an independent scholar JOHN CORNER is Visiting Professor in Communication Studies at the University of Leeds and Emeritus Professor at the University of Liverpool, UK JEROME DE GROOT is Lecturer in English and American Studies at the University of Manchester, UK SONJA DE LEEUW is Professor of Media and Culture Studies at Utrecht University, The Netherlands ALEXANDER DHOEST is Lecturer in Media Studies at the University of Antwerp, Belgium TOBIAS EBBRECHT is Professor of Media History at the Film and Television Academy (HFF 'Konrad Wolf'), Potsdam-Babelsberg, Germany EMMA HANNA is Senior Lecturer in History at the University of Greenwich, UK SIRA HERNANDEZ CORCHETE is Assistant Lecturer in the School of Communication at the University of Navarra, Spain AMY HOLDSWORTH is Lecturer in the Department of Theatre, Film and Television at the University of Glasgow, UK IRIS KLEINECKE-BATES is Lecturer in Film Studies at the University of Hull, UK MARGIT ROHRINGER is a Lecturer at the University of Vienna, Austria PIERRE SORLIN is Emeritus Professor of Sociology in Audiovisual Media, University of Paris III, France ISABELLE VEYRAT-MASSON is Director of Research at the Centre National de la Recherche Scientifique, Paris, France BRIAN WINSTON is the first Lincoln Chair of Communication at the University of Lincoln, UK, and was formerly Pro-Vice Chancellor

Reviews

'This valuable collection explores the resurgence of history in televisual form in the latter part of the 20th century...the chapters provide not only a range of evidence and analysis, but also some powerful areas of ongoing discussion for historians, broadcasters and producers.' -Justin Champion, Royal Holloway, University of London, Historical Journal of Film, Radio and Television

'...provides a good sense of the serious work being done on historical presentation across the Continent.' - Journalism & Mass Communication Quarterly

Book Information
ISBN 9780230222083
Author E. Bell
Format Hardback
Page Count 269
Imprint Palgrave Macmillan
Publisher Palgrave Macmillan