A celebrated young British artist uses her gift to convey the dignity and resilience of women survivors of violence in forgotten corners of the world.

This debut art book by British artist and human rights activist Hannah Rose Thomas presents her stunning portrait paintings of Yazidi women who escaped ISIS captivity, Rohingya women who fled violence in Myanmar, and Nigerian women who survived Boko Haram violence, alongside their own words, stories, and self-portraits. A final chapter features portraits and stories of Afghan, Ukrainian, Uyghur, and Palestinian women.

These portraits, depicting women from three continents and three religions, are a visual testimony not only of war and injustice but also of humanity and resilience. Many of the women have suffered sexual violence; all have been persecuted and forcibly displaced on account of their faith or ethnicity.

Hannah Rose Thomas met these women in Iraqi Kurdistan, Bangladeshi refugee camps, and Northern Nigeria while organizing art projects to teach women how to paint their self-portraits as a way to reclaim their personhood and self-worth. She gives women their own voice both by creating a safe space for them to share their stories and by using her impressive connections to make sure their stories are heard in places of influence in the Global North.

Thomas uses techniques of traditional sacred art - early Renaissance tempera and oil painting and gold leaf - to convey the sacred value of each of these women in spite of all that they have suffered. This symbolic restoration of dignity is especially important considering the stigma surrounding sexual violence. Hannah's work attests to the power of the arts as a vehicle for healing, remembering, inclusion, and dialogue.

Long after the news cameras have moved on to the next conflict, this book shines a spotlight on the ongoing work of healing and restoration in some of the most vulnerable and marginalized communities around the world.

All publisher profits from this book will be donated to relevant charities.

• Launch events with art exhibition in London, New York, and elsewhere
• National publicity campaign, with coverage expected on NPR, Washington Post, Wall Street Journal, and more
• Giveaways and promotions on GoodReads, NetGalley, Open Road, and others
• Significant social media campaign wtih expected reach of 2.5 million impressions
• Feature in Plough Quarterly magazine, circulation 15,000

About the Author
Hannah Rose Thomas is a British artist and human rights activist. A Forbes 30 under 30, her work has been exhibited at the UK Houses of Parliament, European Parliament, the International Peace Institute in New York, Lambeth Palace, Westminster Abbey, and The Saatchi Gallery. Three of Thomas' paintings of Yazidi women were chosen by HRH Prince Charles (now HM King Charles III) for his exhibition "Prince & Patron" in Buckingham Palace. She has been named a winner of Vogue's Future Visionary award, and is a winner of the European Parliament's Women's Leadership Award. Tears of Gold was featured by Google Arts and Culture to mark the UN's Official 75th Anniversary Program, "The Future Is Unwritten: Artists for Tomorrow." Thomas is currently a UNESCO Art Lab for Human Rights and Dialogue PhD Scholar at the University of Glasgow. Prince Zeid bin Ra'ad al-Hussein is the former UN High Commissioner for Human Rights.

Reviews
One of Hannah's aims is to capture not only the courage and stoicism of the women who have suffered so much, but also the nobility, dignity, and extraordinary compassion that many of them manage to retain, despite their traumatic experiences. I very much hope that this beautiful book, Tears of Gold, will help enable the Yazidi, Rohingya, and Nigerian women's voices to be heard, as well as to highlight the issue of the persecution of religious and ethnic minorities in general. All too often, their stories of suffering remain unseen and unheard - but Hannah Thomas is doing tremendous work in bringing their stories out into the open. May her powerful paintings spread the word and, God willing, have a positive impact in relieving the suffering of some of the most vulnerable and marginalized communities around the world. -HRH Prince Charles, prior to his accession as HM King Charles III
Hannah Rose Thomas is a remarkable painter and story-teller. Her publication: Tears of Gold is not simply an expose of her artistic skill, it is much more than that - it is her deposition, her witness statement to the suffering of a fellow being. Containing the portraits of survivors of extreme violence (and sexual and gender-based violence in the case of many) the book centers on their individual stories and, by extension, the horrific atrocities experienced by their communities. ... There may well be tears - after all, their pain is immense - but those tears are often unaccompanied by other emotions. There is so much control and a natural humility, the effect is simply startling. It is not what the observer commonly expects - and Hannah captures the authority within each survivor perfectly and beautifully. -Prince Zeid bin Ra'ad al-Hussein, former UN High Commissioner for Human Rights
As I sobbed my way from one grim life to the other, I felt increasingly certain that this was beautiful art doing beautiful things in a terrible world. Bravo, Hannah Rose Thomas. -Waldemar Januszczak, The Sunday Times
The goal behind the book is to inspire empathy and compassion for these women through the portraits within. Art, because of its contemplative nature, can help foster such values, which Thomas believes are easy to shake loose in modern society. -Religion Unplugged
Hannah's soft-spoken nature belies a bold and compassionate spirit and her mission to give voice to the voiceless through the healing properties of art. [She] has organized art programs in hotspots around the globe, gently teaching and ministering to survivors of horrendous violence and loss. -Erin Rodewald, The Washington Institute for Faith, Vocation and Culture
British artist Thomas's stunning debut presents her paintings of two dozen women who have endured persecution and displacement across the globe. Thomas visited compounds and refugee camps to interview her subjects, and renders their stories with a brevity that belies their intensity....But Thomas's portraits are the high point: she captures her subjects' particularities, as well as the sometimes-haunted, sometimes-resolute gaze they share....Fashioned with uncommon care, this impresses. -Publishers Weekly, starred review
For Hannah Rose Thomas, art is a means to process trauma, and to give expression to feelings that words and language are too limited to convey: "There is an absence of cultural narratives that allow women to look upon their survival as heroic, courageous, and resilient. We can never underestimate the healing power of listening and bearing witness to another's story, and I seek to do this through painting. It is a form of hospitality and makes space for their voices to be respected and valued." -Church Times, UK
An incredible book reflecting a decade's worth of work by artist and human rights activist Hannah Rose Thomas. ...What a powerful collection. -Woman Alive Magazine
"So beautiful and moving." -Sky News TV, UK


Awards
Winner of European International Women's Leadership Award 2019 and The Female Lead 20 in their 20s 2016 and Vogue Future Visionaries 2022 and Forbes 30 under 30 (Europe/Art & Culture) 2019. Short-listed for Women of the Future Award 2020. Nominated for World Humanitarian Forum Youth Changemaker Award 2020.



Book Information
ISBN 9781636080802
Author Hannah Rose Thomas
Format Hardback
Page Count 136
Imprint Plough Publishing House
Publisher Plough Publishing House
Dimensions(mm) 254mm * 203mm * 13mm