What can explain Wagner's obsession with Tannhauser, an opera which he first conceived in 1845 and still considered unfinished at his death in 1883? The subject is the struggle of a man torn between erotic love and spiritual fulfilment, between worlds of liberation and of sterile order. It contains the kernels of all his later works: man's need for love and artistic satisfaction, his desire for an existence beyond death, the operation of memory and the nature of madness. The essays in this volume examine the medieval legends which Wagner chose to weave into his text, and their significance for him. Carolyn Abbate also considers the effect of his many revisions upon the score, pointing out that the initial idea already involved a contrast of musical language to focus the conflict. As Wagner remained unsatisfied with the work, it provokes constant reassessment.

About the Author
Richard Wagner (1813-83) was a composer who drew inspiration from Christian and Nordic mythology, as well as the philosophy of Schopenhauer, to pioneer dramatically new forms of music. His concept of the "Total Artwork" led to the construction of the Bayreuth Festspielhaus, an opera house he designed specifically for productions of his own operas. He also wrote widely on music and art. His operas include Tristan und Isolde, Die Meistersinger von Nurnberg and the four parts of Der Ring des Nibelungen.

Reviews
Brilliantly produced and superb value.' * Sunday Times * All these will provide the new opera-goer with food for thought.' * Daily Telegraph * Wholehearted recommendation of this valuable new series.' * TLS *



Book Information
ISBN 9780714544403
Author Richard Wagner
Format Paperback
Page Count 96
Imprint Overture Publishing
Publisher Alma Books Ltd
Weight(grams) 148g