Description
This book focuses on how readers can be 'manipulated' during their experience of reading fictional texts and how they are incited to perceive, process and interpret certain textual patterns. Offering fine-grained stylistic analysis of diverse genres, including crime fiction, short stories, poetry and novels, the book deciphers various linguistic, pragmatic and multimodal techniques. These are skilfully used by authors to achieve specific effects through a subtle manipulation of deixis, metalepsis, dialogue, metaphors, endings, inferences or rhetorical, narratorial and typographical control.
Exploring contemporary texts such as The French Lieutenant's Woman, The Remains of the Day and We Need to Talk About Kevin, chapters delve into how readers are pragmatically positioned or cognitively (mis)directed as the author guides their attention and influences their judgment. They also show how readers' responses can, conversely, bring about a certain form of manipulation as readers challenge the positions the texts invite them to occupy.
Adopting a cross-disciplinary approach, this edited volume brings to light the linguistic, psychological, cognitive and multimodal springs of reader manipulation in diverse fictional genres (crime fiction, short story, novels and poems).
About the Author
Sandrine Sorlin is Professor of English Language and Linguistics at University Paul Valery of Montpellier 3, France.
Reviews
An innovative and insightful volume about manipulation in literary texts. * Cercles Book Review *
This is a wide-ranging and fascinating collection of essays on how texts manipulate readers - and how readers manipulate texts - as well as a real demonstration of the breadth and depth of contemporary stylistic inquiry. * Sam Browse, Senior Lecturer in English Language, Sheffield Hallam University, UK *
Book Information
ISBN 9781350267428
Author Sandrine Sorlin
Format Paperback
Page Count 264
Imprint Bloomsbury Academic
Publisher Bloomsbury Publishing PLC
Weight(grams) 376g
