Description
Rachel Anderson-Rabern examines the ideas of boredom and everyday employment that permeate particular performance projects. Using Henri Lefebvre's concepts of work roles within everyday philosophy, she demonstrates that collective creation gives rise to new economies of performance. The book also presents theories of the political stakes of danced gestural forms in performance, informed by Giorgio Agamben's writings on gesture. Anderson-Rabern analyzes group creativity as topological and presents examples of groups that structurally unhinge themselves while retaining their collective identity. The book also elaborates the ways in which these ensembles make use of durational performance to posit ethical frameworks: ways of living in the world.
Conversing with the ideas of Paul Virilio and Guy Debord among others, the book claims that these groups posit new models of aesthetic politics through careful, speed-based investigations of construction and destruction. These investigations unearth the powerful potential of contemporary collaborative methods to be at once aesthetically minded, ethically driven, and politically engaged.
About the Author
Rachel Anderson-Rabern is an assistant professor of theater and performance at Franklin and Marshall College.
Book Information
ISBN 9780810141469
Author Rachel Anderson-Rabern
Format Hardback
Page Count 176
Imprint Northwestern University Press
Publisher Northwestern University Press
Weight(grams) 400g