This book addresses the politics of borders in the era of global art by exploring the identification of Chinese artists by location and exhibition. Focusing on performative, body-oriented video works by the post-1989 generation, it tests the premise of genealogical inscription and the ways in which cultural objects are attributed to the artist's residency, homeland or citizenship rather than cultural tradition, style or practice. Acknowledging historical definitions of Chineseness, including the orientalist assumptions of the past and the cultural-mixing of the present, the book's case studies address the paradoxes and contradictions of representation. An analysis of the historical matrix of global expositions reveals the structural connections among art, culture, capital and nation.

About the Author
Jane Chin Davidson is Professor of Art and Design at California State University, San Bernardino


Book Information
ISBN 9781526170606
Author Jane Chin Davidson
Format Paperback
Page Count 240
Imprint Manchester University Press
Publisher Manchester University Press
Weight(grams) 463g
Dimensions(mm) 234mm * 156mm * 17mm