Sonic ethnography makes a compelling argument for taking sound seriously as a crucial component of social life and as an ethnographic form of representation. This volume explores the role of sound-making and listening practices in the formation of local identities in the southern Italian region of Basilicata. With an approach that cuts across sensory anthropology, sound studies and ethnomusicology, Sonic ethnography demonstrates how acoustic tradition is made and disrupted and acoustic communities are brought together in shared temporality and space. Based extensive research, this volume provides an innovative take on soundful cultural performances such as tree rituals, carnivals, pilgrimages and more informal musical performances, with particular attention to the interactions between classic ethnographic scholarship from the past century and the local politics of heritage.

Featuring stunning colour photographs and more than an hour of sound recordings, Sonic ethnography uses a unique combination of media to investigate distinctive ways of knowing, beyond more traditional ethnographic forms of representation. Two methodological chapters, respectively on music-making as creative research practice and on photo-ethnography, make the book an essential contribution for those interested in the production of sounds and still images as relational and interactive approaches to fieldwork. The pioneering anthropologist of sound, Steven Feld, collaborated to some of the research and contributed to the book an afterword and a soundscape composition.

About the Author

Lorenzo Ferrarini is a Lecturer in Visual Anthropology at the University of Manchester

Nicola Scaldaferri is Associate Professor of Ethnomusicology at the University of Milan

Reviews

'This multi-layered, long-term ethnographic research was conducted through intimate musical knowledge and participation with the study communities and focuses on the relationship of sound structure to social structure. A unique methodological approach to studying ritual, festival, and symbolic behavior is the introduction of listening as a methodology, which might appear simplistic but is not. Using listening as methodology includes searching for patterns and "mechanisms" of sound; that is, sound recognized as marking ritual space and organizing action. This publication presents valuable alternatives in the use of still photography with text and sound by showing us a variety of design in this text As Craig Campbell stated in his recommendation letter, this makes it a rich, innovative source for teaching Visual Anthropology. This publication effectively combines excellence in the use of still photography integrating the photos beautifully in relationship to sound and text.'
Judging panel, John Collier Jr. Award for Still Photography

'This is a sublime and exhilarating work. Its multi-faceted, multi-media approach is truly breathtaking; the photography itself conveys sound just as much as the text and sound files do.'
Judging panel, 2021 ICTM Book Prize

'The sensory submersion into cultural practice has the effect of bringing the audience in as participants; a truly successful way of imparting knowledge and experience.'
Judging panel, 2021 ICTM Book Prize

'Their thoughtful reflections on methodology and theoretical musings provide a wealth of insights on cultural politics, heritage policies, arts practice research, creative interventions, and photography in anthropology.'
Judging panel, 2021 ICTM Book Prize

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Awards
Winner of 2021 ICTM Book Prize by the International Council for Traditional Music 2021 and Winner for the 2020 John Collier Jr. Award for Still Photography 2021 (UK).



Book Information
ISBN 9781526152008
Author Lorenzo Ferrarini
Format Paperback
Page Count 240
Imprint Manchester University Press
Publisher Manchester University Press
Dimensions(mm) 240mm * 170mm * 16mm