In 1978, Siouxsie and the Banshees declared 'We don't see ourselves in the same context as other rock'n'roll bands.' A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow. Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en scene, thus framing the record cinematically, as Siouxsie Sioux recalled, 'It was as if we were doing the whole thing on the set of The Wicker Man'. Samantha Bennett looks at how Siouxsie and the Banshees' Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock'n'roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow's deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow's diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.

With Peepshow, Siouxsie and the Banshees created a record akin to a Hollywood film score, and were subsequently adopted into the US alt-rock canon and scored a Billboard number-one hit

About the Author
Samantha Bennett is a sound recordist, guitarist, and Associate Professor in Music at the Australian National University, Australia. She is widely published in the areas of popular music sound recording, technology and production.

Reviews
Her argument is strong and well researched. With so much forethought and evidence provided it's easy to agree with Bennett before you finish the book. * Chicago Music *
The book is both well-conceived and excellently written ... Peepshow makes a valuable contribution to punk and post-punk academic discourse. It takes the reader beyond the framing of Siouxsie Sioux as merely an objectified punk icon in seriously considering the Banshees as a fully functioning band with a musical output that clearly warrants further academic study. For that achievement alone Bennett deserves accolade but her use of a cross-disciplinary approach to frame her argument is one those engaged in academic study should recognize and embrace. * Punk & Post-Punk *



Book Information
ISBN 9781501321863
Author Dr Samantha Bennett
Format Paperback
Page Count 216
Imprint Bloomsbury Academic USA
Publisher Bloomsbury Publishing Plc
Weight(grams) 204g