Description
The Secessions artist groups at the dawn of modernism in a splendid new volume.
At the end of the 19th century the term "Secession" stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
The new alliances of artists in the Secession meant the abandonment of traditional artists' associations and old-fashioned structures, and a new artistic freedom. The most important Secessions in the German region arose in 1892 in Munich, in 1897 in Vienna and in 1899 in Berlin. They are associated to this day with the figures who helped to shape them: Franz von Stuck, Gustav Klimt and Max Liebermann. This volume illustrates their artistic diversity in over 200 works by some 80 artists of the Secessions in Vienna, Munich and Berlin as well as international guests including Hodler, Munch, Rodin, Segantini and Toorop.
At the end of the 19th century the term "Secession" stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
About the Author
Ralph Gleis is the director of the Alte Nationalgalerie Berlin and curator of numerous exhibitions on the art of the 19th and early 20th century.
Ursula Storch is the deputy director of the Wien Museum in Vienna and curator of numerous exhibitions on the art and cultural history of Vienna in the 19th and 20th century.
Book Information
ISBN 9783777441924
Author Ralph Gleis
Format Hardback
Page Count 328
Imprint Hirmer Verlag
Publisher Hirmer Verlag
Weight(grams) 2060g
At the end of the 19th century the term "Secession" stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
The new alliances of artists in the Secession meant the abandonment of traditional artists' associations and old-fashioned structures, and a new artistic freedom. The most important Secessions in the German region arose in 1892 in Munich, in 1897 in Vienna and in 1899 in Berlin. They are associated to this day with the figures who helped to shape them: Franz von Stuck, Gustav Klimt and Max Liebermann. This volume illustrates their artistic diversity in over 200 works by some 80 artists of the Secessions in Vienna, Munich and Berlin as well as international guests including Hodler, Munch, Rodin, Segantini and Toorop.
At the end of the 19th century the term "Secession" stood for the artistic beginnings of modernism. Art was surging forward towards freedom. Avant-garde artists showed their new creative works in the exhibitions of the Secession. In doing so they introduced innovative art movements to the public and helped Impressionism and Symbolism, for example, to achieve a breakthrough in the German-speaking region.
About the Author
Ralph Gleis is the director of the Alte Nationalgalerie Berlin and curator of numerous exhibitions on the art of the 19th and early 20th century.
Ursula Storch is the deputy director of the Wien Museum in Vienna and curator of numerous exhibitions on the art and cultural history of Vienna in the 19th and 20th century.
Book Information
ISBN 9783777441924
Author Ralph Gleis
Format Hardback
Page Count 328
Imprint Hirmer Verlag
Publisher Hirmer Verlag
Weight(grams) 2060g
