Images of ruins may represent the raw realities created by bombs, natural disasters, or factory closings, but the way we see and understand ruins is not raw or unmediated. Rather, looking at ruins, writing about them, and representing them are acts framed by a long tradition. This unique interdisciplinary collection traces discourses about and representations of ruins from a richly contextualized perspective. In the introduction, Julia Hell and Andreas Schoenle discuss how European modernity emerged partly through a confrontation with the ruins of the premodern past.

Several contributors discuss ideas about ruins developed by philosophers such as Immanuel Kant, Georg Simmel, and Walter Benjamin. One contributor examines how W. G. Sebald's novel The Rings of Saturn betrays the ruins erased or forgotten in the Hegelian philosophy of history. Another analyzes the repressed specter of being bombed out of existence that underpins post-Second World War modernist architecture, especially Le Corbusier's plans for Paris. Still another compares the ways that formerly dominant white populations relate to urban-industrial ruins in Detroit and to colonial ruins in Namibia. Other topics include atomic ruins at a Nevada test site, the connection between the cinema and ruins, the various narratives that have accrued around the Inca ruin of Vilcashuaman, Tolstoy's response in War and Peace to the destruction of Moscow in the fire of 1812, the Nazis' obsession with imperial ruins, and the emergence in Mumbai of a new "kinetic city" on what some might consider the ruins of a modernist city. By focusing on the concept of ruin, this collection sheds new light on modernity and its vast ramifications and complexities.

Contributors. Kerstin Barndt, Jon Beasley-Murray, Russell A. Berman, Jonathan Bolton, Svetlana Boym, Amir Eshel, Julia Hell, Daniel Herwitz, Andreas Huyssen, Rahul Mehrotra, Johannes von Moltke, Vladimir Paperny, Helen Petrovsky, Todd Presner, Helmut Puff, Alexander Regier, Eric Rentschler, Lucia Saks, Andreas Schoenle, Tatiana Smoliarova, George Steinmetz, Jonathan Veitch, Gustavo Verdesio, Anthony Vidler

Uses the concept of the ruin to study modernity, asking whether there is an intrinsic logic of "ruin" at work in modernity

About the Author

Julia Hell is Associate Professor of German Studies at the University of Michigan. She is the author of Post-Fascist Fantasies: History, Psychoanalysis, and East German Literature, also published by Duke University Press.

Andreas Schoenle is Professor of Russian Studies at Queen Mary, University of London. He is the author of The Ruler in the Garden: Politics and Landscape Design in Imperial Russia and Authenticity and Fiction in the Russian Literary Journey, 1790-1840.

Reviews
"Ever since Shelley's traveler returned from an 'antique land' with news of the shattered statue of Ozymandias, king of kings, we have pondered the sober lessons of ruins and their mockery of human pretension. In this remarkable collection assembled by Julia Hell and Andreas Schoenle, the ruinscape is that of the modern world and the gazes fall as much on our prior attempts to make sense of it as on the ruins themselves."-Martin Jay, author of Songs of Experience: Modern American and European Variations on a Universal Theme
"The scope of this book is ambitious; the execution is masterful. It is a superb collection of reflections by major scholars on the pervasive presence of ruins in contemporary cultures. It is sure to find a wide readership among urban historians; scholars of modernity; scholars and students of German, European, and post-Soviet studies; film scholars; and art historians."-Ulrich Baer, author of Spectral Evidence: The Photography of Trauma



Book Information
ISBN 9780822344742
Author Julia Hell
Format Paperback
Page Count 528
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 748g