Often referred to as the last Surrealist and first Abstract Expressionist, Arshile Gorky (c. 1900-1948) appears as an interstice within art history's linear progression. Gorky embraced dream imagery in the tradition of the Surrealists, used all-over patterning before Jackson Pollock, promoted disembodied color before Mark Rothko, exploited the physicality of paint before Willem de Kooning, and anticipated stain painting. His life-he escaped the Armenian Genocide of 1915 and struggled as an immigrant artist in New York in the 1930s and 1940s-and his tumultuous personal relationships have cast the artist as a tragic figure and often overshadowed the genius of his art.

Rethinking Arshile Gorky is an examination of the artist and his work based on themes of displacement, self-fashioning, trauma, and memory. By applying a multitude of techniques, including psychoanalytic, semiotic, and constructivist analyses, to explain and demythologize the artist, Kim Theriault offers a contemporary critique of both the way we construct the idea of the "artist" in modern society and the manner in which Arshile Gorky and his art have historically been addressed.

In Rethinking Arshile Gorky, Kim S. Theriault examines the artist and his work through themes of displacement, self-fashioning, trauma, and memory.

About the Author

Kim S. Theriault is Assistant Professor of Art History, Theory, and Criticism at Dominican University.

Reviews

"Kim Theriault's remarkable scholarly reassessment of Gorky comes as a breath of fresh air and will be considered in years to come as a landmark publication in the field of modern art and criticism. Theriault's critical study represents the first attempt to link the horrific and traumatic circumstances of Gorky's early life with his abstract paintings of the 1940s, which she persuasively argues to be a visual manifestation of displacement and trauma rather than simply the assimilation of modernist painting practices."

-Michael Taylor,The Philadelphia Museum of Art

"Rethinking [Arshile] Gorky is truly a breakthrough publication. It firmly places Gorky as both an artist of note and a sage who tells us, in vivid images, about the brutal impact of genocide on the survivor. Theriault's book offers scholars of art history and genocide studies a foundation for understanding both Gorky and his art in the right context-as a survivor of the Armenian Genocide. Theriault has unveiled his abstract images and rebuilt his memory, constructing a new view of one of the greatest artists of the twentieth century."

-Sara Cohan Genocide Studies and Prevention

Book Information
ISBN 9780271036472
Author Kim S. Theriault
Format Hardback
Page Count 288
Imprint Pennsylvania State University Press
Publisher Pennsylvania State University Press
Weight(grams) 966g
Dimensions(mm) 254mm * 178mm * 27mm