Description
In the 1940s, American movies changed. Flashbacks began to be used in outrageous, unpredictable ways. Soundtracks flaunted voice-over commentary, and characters might pivot from a scene to address the viewer. Incidents were replayed from different characters' viewpoints, and sometimes those versions proved to be false. Films now plunged viewers into characters' memories, dreams, and hallucinations. Some films didn't have protagonists, while others centered on anti-heroes or psychopaths. Women might be on the verge of madness, and neurotic heroes lurched into violent confrontations. Combining many of these ingredients, a new genre emerged--the psychological thriller, populated by women in peril and innocent bystanders targeted for death. If this sounds like today's cinema, that's because it is. In Reinventing Hollywood, David Bordwell examines for the first time the full range and depth of trends that crystallized into traditions. He shows how the Christopher Nolans and Quentin Tarantinos of today owe an immense debt to the dynamic, occasionally delirious narrative experiments of the Forties. With verve and wit, Bordwell examines how a booming movie market during World War II allowed ambitious writers and directors to push narrative boundaries. Although those experiments are usually credited to the influence of Citizen Kane, Bordwell shows that similar impulses had begun in the late 1930s in radio, fiction, and theatre before migrating to film. And despite the postwar recession in the industry, the momentum for innovation continued. Some of the boldest films of the era came in the late forties and early fifties, as filmmakers sought to outdo their peers. Through in-depth analyses of films both famous and virtually unknown, from Our Town and All About Eve to Swell Guy and The Guilt of Janet Ames, Bordwell assesses the era's unique achievements and its legacy for future filmmakers. The result is a groundbreaking study of how Hollywood storytelling became a more complex art. Reinventing Hollywood is essential reading for all lovers of popular cinema.
About the Author
David Bordwell is the Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. With Kristin Thompson, he is coauthor of Film Art: An Introduction and Film History: An Introduction and the blog Observations on Film Art, which can be found at http: //www.davidbordwell.net/blog.
Reviews
"In addition to the almost unparalleled breadth and depth of his research, Bordwell's love of and admiration for the period's experimentation and risk-taking comes through on every page. His exuberance is infectious, and again and again I found myself writing down titles of films--many of which I had not heard of before--I now want to see due to his impassioned account of their innovations. This is a singularly important book that powerfully brings to life a rich period of experimentation in Hollywood's history."--Malcolm Turvey, Tufts University "A new book from David Bordwell is always a welcome event in the field of film studies, particularly for the cinephilic academic who appreciates his wide-ranging corpus and the close attention with which he analyses individual moments. . . . It is a hugely engaging account of the fertility of this period and a convincing collection of invigorating storytelling innovations. . . . A fresh contribution to scholarship on Hollywood cinema and an aficionado's joy."--Times Higher Education "As our premier analyst of cinematic storytelling, Bordwell plunges us into Hollywood movies in the 1940s, brilliantly opening up the era's productive innovations in narrative and narration. Along the way, he explains experiments with devices such as amnesia, cine-portraiture, converging-fates and episode plots, focused space, ghost-movie rules, hooks, impression management, interruptive flashbacks, the omnibus format, polyphonic voice-overs, rhythms of replacement, the switcheroo, and the traveling object. What a treasure for lovers of cinema."--Janet Staiger, University of Texas at Austin "Bordwell effectively argues that the change in the era of bold, different, sometimes difficult films from the '40s made a permanent mark of cinematic storytelling that resonates to this day."--PopMatters (11/06/2017) "An exhaustive, meticulous study of a decade when cinematic storytelling exploded with fresh creative options."--Noir City, Film Noir Foundation "Rather than focusing on the colorful stars and studio bosses of 1940s Hollywood, prolific film historian Bordwell . . . zooms in on the films themselves, and more specifically, how they were made." --Library Journal "Deeply impressive."--Times Literary Supplement "Few exceed David Bordwell at the job of looking at cinematic technique and describing how, exactly, the trick is done. . . . The book lays out a remarkable curriculum of 1940s American films before reaching a conclusion that traces their legacy to the present day, arguing that well before young American filmmakers of the 1970s 'discovered' modernism from the European art film, the Europeans had been learning from the experimentation of Hollywoood in the 1940s--a seemingly inexhaustible creative wellspring, here drunk from deeply."--Film Comment "a two-fisted approach to rethinking Hollywood's evolution"--Sight & Sound "Reinventing Hollywood shows how risk-taking screenwriters and directors of the 1940s introduced storytelling strategies taken from modernist novels and avant-garde theater, enriching movies with their use of unreliable narrators and flashbacks within flashbacks. . . . No dry encyclopedia of cinematic tropes, this is a delectable menu of narrative techniques that maximize the complexity and depth of a plot. . . . As invaluable to storytellers as to cinephiles and scholars interested in the narrative architecture of Hollywood efforts, both the well-known and less so."--Film Quarterly "No other critic or historian comes close to the sort of comprehensive discussion of the period that Bordwell gives in Reinventing Hollywood. With an encyclopedic knowledge of movie history, he seems to have seen everything. His research is prodigious, filled with fascinating details about how specific scripts were written and revised. Despite this, there isn't a whiff of pretention in his writing, which is not only lucid but also witty and engaging."--James Naremore, Indiana University Bloomington "Situating Hollywood film among other popular arts of the times, such as theater or the novel or radio drama, Bordwell convincingly shows how movies were key cases of what he terms 'moderate modernism' and explored and expanded storytelling possibilities. Having seen everything, read everything, and thought brilliantly about everything, Bordwell delivers the definitive poetics of American cinema as narrative act and narrative art."--Dana Polan, New York University "Bordwell is our soldier of the cinema, the guy up on the wall telling us what's out there and, in this case, how and why it got there. Reinventing Hollywood is a deep and wide look into a period of creative fervor and storytelling innovation in the movies that hasn't been matched by any other art form since. This book is bracing and encyclopedic and has real heft, but it's still a breezy read. It's not just that you can read it, you can see it. And if modern filmmakers can't find any inspiring ideas in here, they're just not trying."--David Koepp, screenwriter, Jurassic Park and War of the Worlds; director, Ghost Town and Premium Rush "With Reinventing Hollywood, Bordwell pulls off the near impossible. His book, which is meticulously researched, somehow has the ability to inform, to contextualize, and to entertain in equal measures. He is able to demystify arguably the most mature decade of American films in a way that explains patterns and influences but also recognizes those unique, inexplicable masterpieces that somehow came from out of nowhere."--Mark Johnson, producer, Rain Man, Galaxy Quest, and Breaking Bad
Book Information
ISBN 9780226639550
Author David Bordwell
Format Paperback
Page Count 592
Imprint University of Chicago Press
Publisher The University of Chicago Press
Dimensions(mm) 229mm * 152mm * 41mm
About the Author
David Bordwell is the Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. With Kristin Thompson, he is coauthor of Film Art: An Introduction and Film History: An Introduction and the blog Observations on Film Art, which can be found at http: //www.davidbordwell.net/blog.
Reviews
"In addition to the almost unparalleled breadth and depth of his research, Bordwell's love of and admiration for the period's experimentation and risk-taking comes through on every page. His exuberance is infectious, and again and again I found myself writing down titles of films--many of which I had not heard of before--I now want to see due to his impassioned account of their innovations. This is a singularly important book that powerfully brings to life a rich period of experimentation in Hollywood's history."--Malcolm Turvey, Tufts University "A new book from David Bordwell is always a welcome event in the field of film studies, particularly for the cinephilic academic who appreciates his wide-ranging corpus and the close attention with which he analyses individual moments. . . . It is a hugely engaging account of the fertility of this period and a convincing collection of invigorating storytelling innovations. . . . A fresh contribution to scholarship on Hollywood cinema and an aficionado's joy."--Times Higher Education "As our premier analyst of cinematic storytelling, Bordwell plunges us into Hollywood movies in the 1940s, brilliantly opening up the era's productive innovations in narrative and narration. Along the way, he explains experiments with devices such as amnesia, cine-portraiture, converging-fates and episode plots, focused space, ghost-movie rules, hooks, impression management, interruptive flashbacks, the omnibus format, polyphonic voice-overs, rhythms of replacement, the switcheroo, and the traveling object. What a treasure for lovers of cinema."--Janet Staiger, University of Texas at Austin "Bordwell effectively argues that the change in the era of bold, different, sometimes difficult films from the '40s made a permanent mark of cinematic storytelling that resonates to this day."--PopMatters (11/06/2017) "An exhaustive, meticulous study of a decade when cinematic storytelling exploded with fresh creative options."--Noir City, Film Noir Foundation "Rather than focusing on the colorful stars and studio bosses of 1940s Hollywood, prolific film historian Bordwell . . . zooms in on the films themselves, and more specifically, how they were made." --Library Journal "Deeply impressive."--Times Literary Supplement "Few exceed David Bordwell at the job of looking at cinematic technique and describing how, exactly, the trick is done. . . . The book lays out a remarkable curriculum of 1940s American films before reaching a conclusion that traces their legacy to the present day, arguing that well before young American filmmakers of the 1970s 'discovered' modernism from the European art film, the Europeans had been learning from the experimentation of Hollywoood in the 1940s--a seemingly inexhaustible creative wellspring, here drunk from deeply."--Film Comment "a two-fisted approach to rethinking Hollywood's evolution"--Sight & Sound "Reinventing Hollywood shows how risk-taking screenwriters and directors of the 1940s introduced storytelling strategies taken from modernist novels and avant-garde theater, enriching movies with their use of unreliable narrators and flashbacks within flashbacks. . . . No dry encyclopedia of cinematic tropes, this is a delectable menu of narrative techniques that maximize the complexity and depth of a plot. . . . As invaluable to storytellers as to cinephiles and scholars interested in the narrative architecture of Hollywood efforts, both the well-known and less so."--Film Quarterly "No other critic or historian comes close to the sort of comprehensive discussion of the period that Bordwell gives in Reinventing Hollywood. With an encyclopedic knowledge of movie history, he seems to have seen everything. His research is prodigious, filled with fascinating details about how specific scripts were written and revised. Despite this, there isn't a whiff of pretention in his writing, which is not only lucid but also witty and engaging."--James Naremore, Indiana University Bloomington "Situating Hollywood film among other popular arts of the times, such as theater or the novel or radio drama, Bordwell convincingly shows how movies were key cases of what he terms 'moderate modernism' and explored and expanded storytelling possibilities. Having seen everything, read everything, and thought brilliantly about everything, Bordwell delivers the definitive poetics of American cinema as narrative act and narrative art."--Dana Polan, New York University "Bordwell is our soldier of the cinema, the guy up on the wall telling us what's out there and, in this case, how and why it got there. Reinventing Hollywood is a deep and wide look into a period of creative fervor and storytelling innovation in the movies that hasn't been matched by any other art form since. This book is bracing and encyclopedic and has real heft, but it's still a breezy read. It's not just that you can read it, you can see it. And if modern filmmakers can't find any inspiring ideas in here, they're just not trying."--David Koepp, screenwriter, Jurassic Park and War of the Worlds; director, Ghost Town and Premium Rush "With Reinventing Hollywood, Bordwell pulls off the near impossible. His book, which is meticulously researched, somehow has the ability to inform, to contextualize, and to entertain in equal measures. He is able to demystify arguably the most mature decade of American films in a way that explains patterns and influences but also recognizes those unique, inexplicable masterpieces that somehow came from out of nowhere."--Mark Johnson, producer, Rain Man, Galaxy Quest, and Breaking Bad
Book Information
ISBN 9780226639550
Author David Bordwell
Format Paperback
Page Count 592
Imprint University of Chicago Press
Publisher The University of Chicago Press
Dimensions(mm) 229mm * 152mm * 41mm
