While authors in early modern England were gaining new authority - legally, economically and symbolically - Renaissance readers also were expected to participate in and make use of an author's writings. In this book, Stephen B. Dobranski examines how the seventeenth-century phenomenon of printing apparently unfinished works ushered in a new emphasis on authors' responsibility for written texts while it simultaneously reinforced Renaissance practices of active reading. Bringing together textual studies, literary criticism and book trade history, Dobranski provides fresh insight into Renaissance constructions of authorship and offers discerning interpretations of publications by Sir Philip Sidney, Ben Jonson, John Donne, Robert Herrick and John Milton. The omissions in all these writers' works provide a unique window into English literary history: through these blank spaces we glimpse the tension between implication and inference, between writers' intentions and readers' responses and between an individual author and a collaborative community.

Dobranski provides fresh insight into Renaissance constructions of authorship.

About the Author
Stephen Dobranski is author of Milton, Authorship and the Book Trade, and co-editor of Milton and Heresy.

Reviews
"Dobranski does spotlight the activity of a number of stationers, clearly explaining their most likely courses of action and valuably extending his own readers' view of literary exchange beyond the simplistic dichotomy of authors and readers." - Joshua Eckhardt, Virginia Commonwealth University


Awards
Winner of This book has received the 2005 South Atlantic Modern Language Association's Studies Award for the best scholarly book published in English 2005.



Book Information
ISBN 9780521842969
Author Stephen B. Dobranski
Format Hardback
Page Count 242
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 530g
Dimensions(mm) 229mm * 152mm * 17mm