Description
Following his release from the Rodez asylum, Antonin Artaud decided he wanted his new work to connect with a vast public audience, and he chose to record radio broadcasts in order to carry through that aim. That determination led him to his most experimental and incendiary project, To Have Done with the Judgement of God, 1947-48, in which he attempted to create a new language of texts, screams, and cacophonies: a language designed to be heard by millions, aimed, as Artaud said, for "road-menders." In the broadcast, he interrogated corporeality and introduced the idea of the "body without organs," crucial to the later work of Deleuze and Guattari. The broadcast, commissioned by the French national radio station, was banned shortly before its planned transmission, much to Artaud's fury. This volume collects all of the texts for To Have Done with the Judgement of God, together with several of the letters Artaud wrote to friends and enemies in the short period between his work's censorship and his death. Also included is the text of an earlier broadcast from 1946, Madness and Black Magic, written as a manifesto prefiguring his subsequent broadcast. Clayton Eshleman's extraordinary translations of the broadcasts activate these works in their extreme provocation.
About the Author
Antonin Artaud (1895-1948) was a French dramatist, poet, essayist, actor, and theater director, widely recognized as one of the major figures of twentieth-century theater and the European avant-garde. Stephen Barber is professor at the Kingston School of Art, Kingston University, London, and a visiting research fellow at the Free University Berlin and Keio University Tokyo. He is the author of several books including White Noise Ballrooms, and the editor of Artaud 1937 Apocalypse, both published by DIAPHANES. Clayton Eshleman is an American poet and translator and professor emeritus at Eastern Michigan University. He has translated the work of Antonin Artaud, Cesar Vallejo, Aime Cesaire, and others. He was awarded the National Book Award for translation in 1979. Ros Murray is the author of Antonin Artaud: The Scum of the Soul (2014), as well as many works on queer theory and feminism. She is based in the Department of French at Kings College, University of London.
Book Information
ISBN 9783035802504
Author Antonin Artaud
Format Paperback
Page Count 128
Imprint Diaphanes AG
Publisher Diaphanes AG
Weight(grams) 144g
Dimensions(mm) 191mm * 121mm * 9mm
About the Author
Antonin Artaud (1895-1948) was a French dramatist, poet, essayist, actor, and theater director, widely recognized as one of the major figures of twentieth-century theater and the European avant-garde. Stephen Barber is professor at the Kingston School of Art, Kingston University, London, and a visiting research fellow at the Free University Berlin and Keio University Tokyo. He is the author of several books including White Noise Ballrooms, and the editor of Artaud 1937 Apocalypse, both published by DIAPHANES. Clayton Eshleman is an American poet and translator and professor emeritus at Eastern Michigan University. He has translated the work of Antonin Artaud, Cesar Vallejo, Aime Cesaire, and others. He was awarded the National Book Award for translation in 1979. Ros Murray is the author of Antonin Artaud: The Scum of the Soul (2014), as well as many works on queer theory and feminism. She is based in the Department of French at Kings College, University of London.
Book Information
ISBN 9783035802504
Author Antonin Artaud
Format Paperback
Page Count 128
Imprint Diaphanes AG
Publisher Diaphanes AG
Weight(grams) 144g
Dimensions(mm) 191mm * 121mm * 9mm
