Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.

About the Author
Anne Thurmann-Jajes (Dr. phil.) is director of the Centre for Artists' Publications / Weserburg and teaches at the University of Bremen, Germany. Ursula Frohne ist Professorin fA"r Kunstgeschichte des 20. und 21. Jahrhunderts an der UniversitAt zu KAln. Jee-Hae Kim (M.A.) is research associate at the Institute for Art History at the University of Cologne, Germany. Maria Peters (Prof. Dr. phil.) is Professor for Art Education at the University of Bremen, Germany. Franziska Rauh (M.A.) is research associate at the Centre for Artists' Publications / Weserburg, Bremen, Germany.


Book Information
ISBN 9783837636178
Author Anne Thurmann-Jajes
Format Paperback
Page Count 312
Imprint Transcript Verlag
Publisher Transcript Verlag
Weight(grams) 680g
Dimensions(mm) 24mm * 16mm * 2mm