Description
Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and re-examines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape
Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyse the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities.
Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.
About the Author
Courtney Nimura is Researcher at the Institute of Archaeology, Curator of Later European Prehistory at the Ashmolean Museum of Art and Archaeology, Lecturer at Magdalen College, and Research Fellow at Wolfson College, University of Oxford. Her research ranges from later prehistoric art to maritime archaeology in Europe.
Reviews
...exceptionally precise, lucid, easily read, critical and interesting. * International Journal of Nautical Archaeology *
In short, the major contribution of this volume, for which it can be highly recommended, is the presentation of the pan-Scandinavian rock art data. * Antiquity *
Book Information
ISBN 9781785701191
Author Courtney Nimura
Format Paperback
Page Count 160
Imprint Oxbow Books
Publisher Oxbow Books
Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyse the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities.
Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.
About the Author
Courtney Nimura is Researcher at the Institute of Archaeology, Curator of Later European Prehistory at the Ashmolean Museum of Art and Archaeology, Lecturer at Magdalen College, and Research Fellow at Wolfson College, University of Oxford. Her research ranges from later prehistoric art to maritime archaeology in Europe.
Reviews
...exceptionally precise, lucid, easily read, critical and interesting. * International Journal of Nautical Archaeology *
In short, the major contribution of this volume, for which it can be highly recommended, is the presentation of the pan-Scandinavian rock art data. * Antiquity *
Book Information
ISBN 9781785701191
Author Courtney Nimura
Format Paperback
Page Count 160
Imprint Oxbow Books
Publisher Oxbow Books
