Description
This critical multidisciplinary anthology places the mediascapes of India (the site of Bollywood), South Korea (fountainhead of Hallyu, aka the Korean Wave), and the United States (the site of Hollywood) in comparative dialogue to explore the transnational flows of technology, capital, and labor. It asks what sorts of political and economic shifts have occurred to make India and South Korea important alternative nodes of techno-cultural production, consumption, and contestation. By adopting comparative perspectives and mobile methodologies and linking popular culture to the industries that produce it as well as the industries it supports, Pop Empires connects films, music, television serials, stardom, and fandom to nation-building, diasporic identity formation, and transnational capital and labor. Additionally, via the juxtaposition of Bollywood and Hallyu, as not only synecdoches of national affiliation but also discursive case studies, the contributors examine how popular culture intersects with race, gender, and empire in relation to the global movement of peoples, goods, and ideas.
About the Author
S. Heijin Lee is assistant professor in the Department of Social and Cultural Analysis, New York University.
Monika Mehta is associate professor of English at Binghamton University of the State University of New York.
Robert Ji-Song Ku is associate professor of Asian and Asian American studies at Binghamton University of the State University of New York.
Allison Alexy is assistant professor in the Department of Women's Studies and the Department of Asian Languages and Cultures at the University of Michigan.
Roald Maliangkay is associate professor in Korean studies and director of the Korea Institute at the Australian National University.
Book Information
ISBN 9780824880002
Author S. Heijin Lee
Format Paperback
Page Count 360
Imprint University of Hawai'i Press
Publisher University of Hawai'i Press