Description
Essays and conversations from emerging and established poets and scholars engage a network of communities in the U.S., Canada, and the U.K., shaped by contemporaneous oppositions as well as genealogical (albeit discontinuous) historicisms. This book articulates Objectivism as an inclusively local, international, and interdisciplinary ethos, and reclaims Objectivist poetics and praxis as modalities for contemporary writers concerned with radical integrations of aesthetics, lyric subjectivities, contingent disruption, historical materialism, and social activism. The chapter authors and roundtable contributors reexamine foundational notions about Objectivism-who the Objectivists were and are, what Objectivism has been, now is, and what it might become-delivering critiques of aesthetics and politics; of race, class, and gender; and of the literary and cultural history of the movement's development and disjunctions from 1931 to the present.
About the Author
W. Scott Howard is associate professor of English and literary arts at the University of Denver. His books include SPINNAKERS: poems and Susan Howe's factual telepathy. He is founding editor of the poetics journal, Reconfigurations, and lives in Englewood, Colorado.
Broc Rossell is lecturer in critical and cultural studies at Emily Carr University of Art and Design in Vancouver, British Columbia. The author of Unpublished Poems and Festival, he is publisher of the small press Elephants.
Book Information
ISBN 9781609385927
Author W. Scott Howard
Format Paperback
Page Count 240
Imprint University of Iowa Press
Publisher University of Iowa Press
Weight(grams) 338g