This 1997 volume considers pictured and picturing women in Renaissance and Baroque Italy as the subjects, creators, patrons and viewers of art. Art itself is broadly defined to include not only painting, sculpture and architecture, but also popular prints and domestic objects. Women's experiences and needs (as perceived by women themselves and as defined by men on their behalf) are seen as important determinants in the production and consumption of visual culture. How the real and ideal lives of women - nuns, brides, mothers, widows, artists, saints, sinners - are reflected in, and to some extent shaped by, works of art is also explored. Adopting an interdisciplinary approach, this collection seeks to examine the art histories of women in Italy from the fourteenth to the seventeenth centuries.

This 1997 volume presents an interdisciplinary approach to the history of women and Renaissance and Baroque Italy.
Reviews
'... a very valuable contribution to an expanding field.' Paolo Tinagli, Burlington Magazine
'The essays are uniformly well-written ... ' Archiv fur Reformationsgeeschichte
'A thoughtful and impartial examination of the intertwined spheres of womanhood and art in their many and varied spheres and functions.' The Australian National Review



Book Information
ISBN 9780521565806
Author Geraldine A. Johnson
Format Paperback
Page Count 338
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 540g
Dimensions(mm) 224mm * 170mm * 18mm