The Naples-born director and screenwriter Paolo Sorrentino has, to date, written and directed nine films, winning an Oscar, a Bafta and a Golden Globe for The Great Beauty in 2013. In 2016, he created and directed his first TV series, The Young Pope, which starred Jude Law. John Malkovich joined the cast in 2020 for the follow-up series. He has established himself as a world-leading auteur with a list of critically acclaimed and award-winning films.

This is an invaluable contribution to the existing literature on Sorrentino and is the first English language collection dedicated to this prolific director, who has emerged as one of the most compelling figures in twenty-first-century European film.

International contributors from the UK, Italy, France, The Netherlands, Australia, Israel, Canada and the United States, Italy, Israel, France, UK, Australia, Canada, offer original interpretations of Sorrentino's work. They examine his recurrent grand themes of memory, nostalgia, ageing, love, thirst for fulfilment, search for the self, identity crisis, human estrangement, marginality, irony and power. In so doing, they offer new perspectives and unique cues for discussion, challenging established assumptions and interpretations. Important and current themes such as eco-cinema and post-secularism are addressed as well as the links between Sorrentino's highly visual cinema and artistic practice such as painting and architecture.

While there are several books on Sorrentino available in Italian, none

of these provide an authoritative account of his work; and language has restricted the readership. This is the first English-language collection focussed on Sorrentino, arguably the most successful and significant contemporary Italian filmmaker.

The majority of the chapters included in this new book are original and it also includes a Foreword by Giancarlo Lombardi, Professor of Italian and Comparative Literature at CUNY, and an interview with renowned costume designer Carlo Poggioli, who has worked with Sorrentino on many productions.

Some of the chapters were previously published in a special issue of the journal JICMS - The Journal of Italian Cinema and Media Studies in 2019. The new collection makes a significant coherent contribution to the field.

Primary readership will be academics, researchers and scholars of Italian film and media studies. Also post-graduate students and upper level under-graduates.

Potential to be used as textbook or as supplementary reading for undergraduate and graduate courses

Given the subject, there is a possibility for some crossover appeal to a broader readership, but this is primarily a scholarly text.

About the Author
Annachiara Mariani is an assistant professor of Italian. She received her Laurea (BA-MA) in foreign languages and literatures from the Universita di Bologna and her Ph.D in Italian from Rutgers University. Her research interests are in Italian cinema, National and Trans-National media studies, and Italian theatre. She has authored a book on the Grotesque Theatre and Pirandello (2013). She has also published numerous articles, essays, film reviews, book reviews on Italian Theatre, Cinema, and the interrelation between cinema and literature. She has recently published a special edition of the journal of Italian cinema and media studies on Sorrentino's films and TV series. She is currently working on a book-length project on today's portrayal of the Italian Renaissance through popular culture and television series Flavia Laviosa is senior lecturer in the Department of Italian Studies at Wellesley College. Her research interests are in Italian women filmmakers. She is the founder and editor in-chief of the Journal of Italian Cinema & Media Studies and the book series Trajectories. She has authored chapters in the volumes He Was My Father (Peter Lang, 2018) (edited by S. Gastaldi and D. Ward), The Italian Cinema Book (BFI, 2014) (edited by P. Bondanella), A New Italian Political Cinema? Emerging Themes (Troubadour, 2013) (edited by W. Hope) and Popular Italian Cinema and Politics in a Postwar Society (Bloomsbury, 2011) (edited by F. Brizio-Skov), and written articles published in the Journal of Mediterranean Studies, Studies in European Cinema, JOMEC, Rivista di Studi Italiani, Italica and Incontri: Rivista Europea di Studi Italiani. She has also guest-edited the Special Issue of SEC, 'Cinematic Journeys of Italian Women Directors' (8:2, 2011) and edited the volume Visions of Struggle in Women's Filmmaking in the Mediterranean (Palgrave Macmillan, 2010). Contact: Department of Italian Studies, Wellesley College, 106 Central Street, Wellesley, MA 02481, USA.

Reviews

'This is an extremely valuable contribution to Sorrentino scholarship that, especially when read in conjunction with Kilbourn's monograph, provides a provocative, wide-ranging and thought-provoking overview of Sorrentino's originality and significance. Moreover, it does not fail to engage with the more controversial and divisive aspects of his work, such as his treatment of gender (addressed in essays by Russell Kilbourn and Nicoletta Marini-Maio) and alleged privileging of style over content (addressed in essays by Lydia Tuan and Michela Barisonzi). The book should be of great interest to anyone concerned with Italian cinema, contemporary Italian culture, or the state of global film and television today. Sorrentino has finally achieved the recognition he deserves within academia and I am sure this exciting new collection will only serve as a spur to further scholarship.'

-- Alex Marlow-Mann, Modern Italy



Book Information
ISBN 9781789383751
Author Annachiara Mariani
Format Paperback
Page Count 302
Imprint Intellect Books
Publisher Intellect Books