Charles Altieri's book sets modernist American poetry in a precise cultural context by analysing how major poets reacted to the challenge posed by modernist painting's radical critique of traditional representational models for art. It argues that modernist poets have tended to resist the received values of their contemporary culture by finding idealising principles in modes of pure abstraction. It traces the use of such abstraction in literature from Wordsworth, through Baudelaire and Mallarme, to T. S. Eliot, William Carlos Williams, Marianne Moore, and Gertrude Stein. There are summary chapters also on Wallace Stevens and Ezra Pound, considerations of Cezanne and the Cubists, and a substantial theoretical discussion of the nature of abstract art.

Charles Altieri's book sets modernist American poetry in a precise cultural context.
Reviews
"Finally a much-needed volume on the interrelations between modernist poetry and modernist art in the United States!...A major contribution to the study of the sister arts." Virginia Quarterly
"Painterly Abstraction in Modernist American Poetry is full of valuable insights and analyses." American Literature



Book Information
ISBN 9780521107297
Author Charles Altieri
Format Paperback
Page Count 540
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 790g
Dimensions(mm) 229mm * 152mm * 31mm