By developing his own conception of the 'figure' Andrew Benjamin has written an innovative and provocative study of the complex relationship between philosophy, the history of painting and their presentation of both Jews and animals. As Benjamin makes clear the 'Other' is never abstract. He underscores the means by which the ethical imperative, arising from the way the history of philosophy and the history of art are constructed, shows us how to respond to an already identified, even if unacknowledged, determinant other.

About the Author
Andrew Benjamin is Professor of Critical Theory and Philosophical Aesthetics and Director of the Research Unit in European Philosophy in the Faculty of Arts at Monash University. His most recent books are Writing Art and Architecture (re:press Books, 2009) and Style and Time: Essays on the Politics of Appearance (Northwestern University Press, 2006).

Reviews
Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired. -- Richard Iveson, Goldsmiths, University of London Parallax Of Jews and Animals is set to become a key text, alongside such works as Elisabeth de Fontenay's Le silence des betes (1998) and Jacques Derrida's The Animal That Therefore I Am (2006), in constituting a further and necessary move beyond the utilitarianism and neo-Kantianism within which 'animal philosophy' has for so long remained mired.



Book Information
ISBN 9780748643172
Author Andrew Benjamin
Format Paperback
Page Count 208
Imprint Edinburgh University Press
Publisher Edinburgh University Press
Weight(grams) 331g