Music in Germany since 1968 modifies the dominant historiography of music in post-war Germany by shifting its axis from the years of reconstruction after 1945 to the era following the events of 1968. Arguing that the social transformations of 1968 led to a new phase of music in Germany, Alastair Williams examines the key topics, including responses to serialism, music and politics, and the re-evaluation of tradition. The book devotes central chapters to Helmut Lachenmann and Wolfgang Rihm, as focal points for areas such as postmodernism, musical semiotics and action-based gestures. Further chapters widen the scope by considering the precursors and contemporaries of Rihm and Lachenmann, especially in relation to the idea of historical inclusion. Williams's study also assesses the development of the Darmstadt summer courses, addresses the significance of German reunification, and considers the role of Germany in a new stage of musical modernism.

Alastair Williams argues that the social transformations of 1968 led to a new phase of art music in Germany.

About the Author
Alastair Williams is Reader in Music at Keele University. He is the author of New Music and the Claims of Modernity (1997) and Constructing Musicology (2001); and a contributor to The Cambridge Companion to John Cage (2002) and The Cambridge History of Twentieth-Century Music (2004). He has also published articles in a wide range of music journals, including Music and Letters, Music Analysis and twentieth-century music.


Book Information
ISBN 9780521877596
Author Alastair Williams
Format Hardback
Page Count 290
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 700g
Dimensions(mm) 255mm * 182mm * 22mm