Description
Contributors are Nimrod Baranovitch, Adriana Helbig, Javier F. Leon, Ana Maria Ochoa, Silvia Ramos, Helen Rees, Felicia Sandler, Amy Ku'uleialoha Stillman, Ricardo D. Trimillos, Andrew N. Weintraub, and Bell Yung.
Global and local perspectives on the meaning and significance of cultural rights through music
About the Author
Andrew N. Weintraub is an associate professor of music at the University of Pittsburgh and the author of Power Plays: Wayang Golek Puppet Theater of West Java.Bell Yung is a professor of music, the former director of the Asian Studies Center at the University of Pittsburgh, and the author of The Last of China's Literati: The Music, Poetry, and Life of Tsar Teh-yun.
Reviews
"Illuminating and thought provoking. Music and Cultural Rights will challenge musicians, music scholars, and music educators to reexamine their preconceived notions of culture, music's purpose within culture, and the social responsibilities that come when using this music."--Music Educators Journal
"The best perspective to date on the issues of music and cultural rights. This anthology speaks to the many scholars who believe that engaged scholarship is the way of the future."--Beverley Diamond, author of Native American Music in Eastern North America: Experiencing Music, Expressing Culture
"A volume on music and cultural rights is both timely and welcome, particularly one that relies upon diverse ethnographic studies as this one does. An innovative interdisciplinary contribution to ethnomusicology."--Rosemary J. Coombe, Senior Canada Research Chair in Law, Communication and Culture, York University
Book Information
ISBN 9780252076626
Author Andrew N. Weintraub
Format Paperback
Page Count 328
Imprint University of Illinois Press
Publisher University of Illinois Press
Weight(grams) 513g
Dimensions(mm) 229mm * 152mm * 25mm