'An intricate, moving novel... Quinn's best book to date' Observer

'Every sentence he produces is a joy' Metro
'Opens up timeless themes of family, success and love' New Statesman
'Truly magnificent... this is Quinn's masterpiece' The Tablet
'Quinn is an intelligent analyst of the uncertainties of love and art' Sunday Times

A celebrated artist of the Georgian era paints his two young daughters at the family home in Bath. The portrait, known as "Molly &the Captain", becomes instantly famous, its fate destined to echo down the centuries, touching many lives.

In the summer of 1889 a young man sits painting a line of elms in Kensington Gardens. One day he glimpses a mother at play with her two daughters and decides to include them in his picture. From that moment he is haunted by dreams that seem to foreshadow his doom.

A century later, in Kentish Town, a painter and her grown-up daughters receive news of an ancestor linking them to the long-vanished double portrait of "Molly &the Captain". Meanwhile friendship with a young musician stirs unexpected passions and threatens to tear the family apart.

Molly & the Captain is a story about time and art and love. Through the prism of a single painting it examines the mysteries of creativity, and the ambiguous nature of success. What weighs more, loyalty to one's talent or loyalty to one's blood? Does self-sacrifice ennoble the soul or degrade it? And what does it mean to speak of the past when its hold on the present is inescapable?

Through Anthony Quinn's signature gifts - period subtlety, intricate characterisation and storytelling verve this triptych novel melds three families and three centuries into a single vision of human frailty and longing.

About the Author
Anthony Quinn was born in Liverpool in 1964. From 1998 to 2013 he was the film critic for the Independent. His novels include The Rescue Man, which won the 2009 Authors' Club Best First Novel Award; Half of the Human Race; The Streets, which was shortlisted for the 2013 Walter Scott Prize; Curtain Call, soon to be a feature film starring Ian McKellen and Gemma Arterton; Freya, Eureka, Our Friends in Berlin and London, Burning. He also wrote the recent Liverpool memoir Klopp.

Reviews
[A] beguiling new novel about the mysteries of creativity from master storyteller Anthony Quinn... Every sentence he produces is a joy * Metro *
A gripping mystery... Sweeping across centuries in its three interlinked sections, it summons the past effortlessly, as a vehicle for a plot that is both intricate and immaculately constructed... Quinn's most ambitious book to date and decidedly his best -- Alex Preston * Observer *
Quinn is an accomplished writer at ease with the idioms of the past... He is also a subtle creator of character... opens up timeless themes of family, success and love -- Michael Prodger * New Statesman *
Quinn is an intelligent analyst of the uncertainties of love and art * Sunday Times *
These women's lives are gently and perceptively explored -- Antonia Senior * The Times *
Gripping historical fiction * Good Housekeeping *
[A] stylish literary triptych... Quinn is a fine writer with an instinctive understanding of the pitfalls of the bohemian life * Mail on Sunday *
A deft, century-hopping novel... delight[s] in the granular details of an era, as well as a thorough knowledge of its broad sweep -- Imogen Hermes Gowar * Guardian *
There is a delicious mystery at the heart of this novel * Daily Mail *
One of my favourite writers... a breathtakingly ambitious novel that nails the small personal triumphs and tragedies of each woman's life -- Sarra Manning * Red *
So versatile - Quinn seems to reinvent himself with every book * Jonathan Coe *
A witty and affecting saga... It delights in exploring tiny, unexpected quirks of character and broad brushstrokes of greater emotion alike, and never fails to entertain -- Alexander Larman * Spectator *
Quinn displays an impressive range of expression: the mannered, epistolary style of the early chapters gives way to touches of Victorian gothic, and then to crisp contemporary prose -- Kimberley Long * Financial Times *
Truly magnificent... each part is separate and distinct, involving and compassionate, yet all are mysteriously connected... Period details sparkle in this elegant prose... This is Quinn's masterpiece -- Sue Gaisford * The Tablet *
Quinn's books are unbeatable treats... His latest, a hall of mirrors across three centuries revolving around a single painting, is both about art and irresistibly artful * Dominic Dromgoole *
Poignant, involving, beautiful and thoroughly entertaining... Quinn's best and most ambitious novel yet dances through three centuries, entwines the worlds of theatre and art in a thoroughly seductive embrace, and brings all his considerable gifts into play... This is a novel packed with pleasures -- Christobel Kent * Perspective Magazine *
Pleasurable... The novel is a triptych, each part standing alone and quickly establishing its particular note and colour by means of language, carefully chosen detail and a sprinkling of familiar names * Times Literary Supplement *
Quinn has an artist's eye and can mine drama from even the plainest parlour or afternoon in the park * Strong Words Magazine *



Book Information
ISBN 9781408713211
Author Anthony Quinn
Format Hardback
Page Count 432
Imprint Abacus
Publisher Little, Brown Book Group
Weight(grams) 694g
Dimensions(mm) 236mm * 160mm * 36mm