The media ecology of North America has long fascinated historians and literary scholars, but what does verse have to tell us about the way sound has evolved? What did it mean for modernist poets to make the mechanics of sound their business? And in what sense did their contriving ways to intervene in the culture of recording and transmission enable the articulation of a more or less 'authentic' voice than the kind earlier generations of poets had cultivated? For the writers considered in this study - Robert Frost, Wallace Stevens, Marianne Moore, and Langston Hughes - such questions were not always easy to resolve, but rather called for a kind of creative troubleshooting, a will to think laterally about the ways a lyric poem might accommodate or become entangled in the most ordinary of technological effects and processes, from telephony to radio waves, phonography to movie-going.

Modernist Invention attends to the parallel histories of media technology and modernist American poetry.

About the Author
Edward Allen is a Lecturer in the Faculty of English, University of Cambridge, and a Fellow of Christ's College. He has published widely on literature of the nineteenth and twentieth centuries, particularly in its relation to technology, media, and music.


Book Information
ISBN 9781108496322
Author Edward Allen
Format Hardback
Page Count 290
Imprint Cambridge University Press
Publisher Cambridge University Press
Weight(grams) 580g
Dimensions(mm) 233mm * 158mm * 23mm