Description
The modern era in the theatre is remarkable for the extraordinary role and influence of theoretical practitioners, whose writings have shaped our sense of the possibilities and objectives of performance. This study offers a critical exploration of the theoretical writings of key modern practitioners from Stanlislavski to Boal. Designed to be read alongside primary source material, each chapter offers not only a summary and exposition of these theories, but a critical commentary on their composition as discourses. Close scrutiny of the cultural context and figurative language of these important, and sometimes difficult, texts yields fresh insight into the ideas of these practitioners.
'This is a 'concentrated critical analysis' of the rhetoric of these writings about performance...Together with the generic frameworks of the theoretical text (dialogue, manifesto, history, and interview), the often problematic (and on occasion contradictory) operation of the dominant metaphors in each theorist's writing is examined...[This book] should not only stimulate 'further interest and enquiry' in the student but also refresh the perceptions of the experienced scholar.' - Paul Lawley, University of Plymouth, MLR 'The conciseness with which the book deals with very specific practitioners makes for a useful introduction to 1st year students, many of whom may not have studied Drama and Theatre Arts academically.' - Bella Martin, University of Birmingham
About the Author
JANE MILLING is Director of Undergraduate Studies in the Department of Drama at the University of Exeter.
GRAHAM LEY is Director of taught Postgraduate Studies in the School of Music and Drama at the University of Exeter.
Reviews
'This is a 'concentrated critical analysis' of the rhetoric of these writings about performance...Together with the generic frameworks of the theoretical text (dialogue, manifesto, history, and interview), the often problematic (and on occasion contradictory) operation of the dominant metaphors in each theorist's writing is examined...[This book] should not only stimulate 'further interest and enquiry' in the student but also refresh the perceptions of the experienced scholar.' - Paul Lawley, University of Plymouth, MLR 'The conciseness with which the book deals with very specific practitioners makes for a useful introduction to 1st year students, many of whom may not have studied Drama and Theatre Arts academically.' - Bella Martin, University of Birmingham
Book Information
ISBN 9780333775424
Author Dr. Jane Milling
Format Paperback
Page Count 198
Imprint Red Globe Press
Publisher Bloomsbury Publishing PLC
Weight(grams) 322g
'This is a 'concentrated critical analysis' of the rhetoric of these writings about performance...Together with the generic frameworks of the theoretical text (dialogue, manifesto, history, and interview), the often problematic (and on occasion contradictory) operation of the dominant metaphors in each theorist's writing is examined...[This book] should not only stimulate 'further interest and enquiry' in the student but also refresh the perceptions of the experienced scholar.' - Paul Lawley, University of Plymouth, MLR 'The conciseness with which the book deals with very specific practitioners makes for a useful introduction to 1st year students, many of whom may not have studied Drama and Theatre Arts academically.' - Bella Martin, University of Birmingham
About the Author
JANE MILLING is Director of Undergraduate Studies in the Department of Drama at the University of Exeter.
GRAHAM LEY is Director of taught Postgraduate Studies in the School of Music and Drama at the University of Exeter.
Reviews
'This is a 'concentrated critical analysis' of the rhetoric of these writings about performance...Together with the generic frameworks of the theoretical text (dialogue, manifesto, history, and interview), the often problematic (and on occasion contradictory) operation of the dominant metaphors in each theorist's writing is examined...[This book] should not only stimulate 'further interest and enquiry' in the student but also refresh the perceptions of the experienced scholar.' - Paul Lawley, University of Plymouth, MLR 'The conciseness with which the book deals with very specific practitioners makes for a useful introduction to 1st year students, many of whom may not have studied Drama and Theatre Arts academically.' - Bella Martin, University of Birmingham
Book Information
ISBN 9780333775424
Author Dr. Jane Milling
Format Paperback
Page Count 198
Imprint Red Globe Press
Publisher Bloomsbury Publishing PLC
Weight(grams) 322g
