One of the true classics of psychological suspense, about a writer and his No. 1 fan, now with a stunning new cover look.

Paul Sheldon used to write for a living. Now he's writing to stay alive.

Misery Chastain is dead. Paul Sheldon has just killed her - with relief, with joy. Misery made him rich; she was the heroine of a string of bestsellers. And now he wants to get on to some real writing.

That's when the car accident happens, and he wakes up splinted and in pain, in the remote mountain home of his rescuer, Annie Wilkes.

The good news is that Annie was a nurse and has pain-killing drugs. The bad news is that she has long been Paul's Number One Fan. And when she finds out what Paul has done to Misery, she doesn't like it. She doesn't like it at all . . .

Hodder are boosting Stephen King's backlist with new covers, new author brand lettering and a marketing campaign which directs readers to the right King title for them.

About the Author
STEPHEN KING is the author of more than seventy books, all of them worldwide bestsellers. His crime thrillers featuring Holly Gibney include Mr Mercedes, winner of the Edgar Award for best novel, and The Outsider, both of which were adapted into successful TV series, as well as Finders Keepers, End of Watch and the title story from If It Bleeds. Many of his titles are the basis for major motion pictures including IT, Stand By Me (adapted from The Body) and The Shawshank Redemption, which is IMDb's top-rated movie of all time. King is the recipient of The Sunday Times Award for Literary Excellence 2022, the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Maine, with his wife, novelist Tabitha King.

Reviews
This terrifying story of imprisonment by a demented fan is one of the greatest thrillers ever written
Not since Dickens has a writer had so many readers by the throat * Guardian *
King's new novel, about a writer held hostage by his self-proclaimed "number-one fan,'' is unadulteratedly terrifying. Paul Sheldon, a writer of historical romances, is in a car accident; rescued by nurse Annie Wilkes, he slowly realizes that salvation can be worse than death. Sheldon has killed off Misery Chastain, the popular protagonist of his Misery series and Annie, who has a murderous past, wants her back. Keeping the paralyzed Sheldon prisoner, she forces him to revive the character in a continuation of the series, and she reads each page as it comes out of the typewriter; there is a joyously Dickensian novel within a novel here, and it appears in faded typescript. Studded among the frightening moments are sparkling reflections on the writer and his audience, on the difficulties, joys and responsibilities of being a storyteller, on the nature of the muse, on the differences between "serious'' and "popular'' writing. Sheldon is a revealingly autobiographical figure; Annie is not merely a monster but is subtly and often touchingly portrayed, allowing hostage and keeper a believable, if twisted, relationship. The best parts of this novel demand that we take King seriously as a writer with a deeply felt understanding of human psychology. * Publishers Weekly *
One of the greatest thrillers ever written * GUARDIAN *
It's being on this familiar territory that makes his fictions so addictive. It's so good you just want more * Evening Standard *
A writer of excellence * The Sunday Times *
King at his best . . . a winner * The New York Times *
This terrifying story of imprisonment by a demented fan is one of the greatest thrillers ever written
Not since Dickens has a writer had so many readers by the throat * Guardian *
King's new novel, about a writer held hostage by his self-proclaimed "number-one fan,'' is unadulteratedly terrifying. Paul Sheldon, a writer of historical romances, is in a car accident; rescued by nurse Annie Wilkes, he slowly realizes that salvation can be worse than death. Sheldon has killed off Misery Chastain, the popular protagonist of his Misery series and Annie, who has a murderous past, wants her back. Keeping the paralyzed Sheldon prisoner, she forces him to revive the character in a continuation of the series, and she reads each page as it comes out of the typewriter; there is a joyously Dickensian novel within a novel here, and it appears in faded typescript. Studded among the frightening moments are sparkling reflections on the writer and his audience, on the difficulties, joys and responsibilities of being a storyteller, on the nature of the muse, on the differences between "serious'' and "popular'' writing. Sheldon is a revealingly autobiographical figure; Annie is not merely a monster but is subtly and often touchingly portrayed, allowing hostage and keeper a believable, if twisted, relationship. The best parts of this novel demand that we take King seriously as a writer with a deeply felt understanding of human psychology. * Publishers Weekly *
A writer of excellence...King is one of the most fertile storytellers of the modern novel * Sunday Times *
One of the great storytellers of our time * Guardian *
'America's greatest living novelist' * Lee Child *
'[A] genius for storytelling' * Daily Mirror *



Book Information
ISBN 9781444720716
Author Stephen King
Format Paperback
Page Count 384
Imprint Hodder Paperback
Publisher Hodder & Stoughton
Weight(grams) 270g
Dimensions(mm) 196mm * 128mm * 28mm