The experience of music is abstract and elusive enough that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. As he brings these discussions to bear on specific works, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day.

About the Author
Michael Spitzer is professor of music and head of school at the University of Liverpool, UK.

Reviews
"Spitzer has written an informative and thought-provoking work, leaving us to question not only our methods of music analysis but our very choice of words in speaking and writing about music." (Notes)



Book Information
ISBN 9780226273136
Author Michael Spitzer
Format Paperback
Page Count 392
Imprint University of Chicago Press
Publisher The University of Chicago Press
Weight(grams) 624g
Dimensions(mm) 24mm * 18mm * 2mm