In Gregory Leadbetter's second poetry collection, Maskwork, mystery, theatre and ritual combine to reveal rather than to disguise. The mask, in these resonant poems, acts as a way of becoming, seeing, and knowing - granting access to altered states and otherworlds hidden within and beyond ourselves. Here, language itself becomes an animating magic, connecting humans to our ecological roots.

The spirit of revival, renaissance, new birth and rebirth haunts this book: and at its core, the idea of poetry itself as a form of learning - an art and a mystery - runs like a quicksilver thread throughout, between the elusive and the certain. Leadbetter's meticulously attuned lyrical poetry tells of the transformative experience of knowing, a dynamic state of being that forever alters both the knower and the known.

About the Author
Gregory Leadbetter is the author of four poetry collections: Maskwork (Nine Arches Press, 2020), The Fetch (Nine Arches Press, 2016), the pamphlet The Body in the Well (HappenStance Press, 2007), and (with photographs by Phil Thomson) Balanuve (Broken Sleep, 2021). His book Coleridge and the Daemonic Imagination (Palgrave Macmillan, 2011) won the University English Book Prize 2012. He has published widely on Romantic poetry and thought, twentieth-century and contemporary poetry, and he has written poetry and radio drama for the BBC. Five poems from The Fetch have been set to music for piano and voice by the composer and pianist Eric McElroy. He is Professor of Poetry at Birmingham City University.


Book Information
ISBN 9781913437039
Author Gregory Leadbetter
Format Paperback
Imprint Nine Arches Press
Publisher Nine Arches Press