Description
The paintings of the Belgian Surrealist Rene Magritte (1898-1967) have exerted an extraordinary fascination, particularly since the enormous increase in awareness and popularity of his work during the 1960s. Magritte shows us a world of silence and isolation in which familiar objects are altered or juxtaposed in 'impossible' combinations in order to create a sense of disorientation and the absurd. Many of his most memorable paintings date from his three prolific years 1927-30, when he lived near Paris and was in close touch with the writer Andre Breton and other French Surrealists.
In his pre-war painting, stylistic concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions about the world; for example, many of his paintings explore the relation between objects and words or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, 'style-less' style. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. His own 'impressionist' and vache (ugly, crude) pictures of the 1940s have been rediscovered in the last few years by a younger generation of painters and critics keenly responsive to the later work of other masters of parody and allusion such as Picabia and de Chirico.
Richard Calvocoressi's highly successful introduction to Magritte was first published in 1979 and revised and enlarged by the addition of notes to the colour plates and many black-and-white illustrations.
About the Author
Richard Calvocoressi has been director of the Scottish National Gallery of Modern Art since 1987. In May 2007 he will move to head up the Henry Moore Foundation in Hertfordshire.
Reviews
Book Information
ISBN 9780714827605
Author Richard Calvocoressi
Format Paperback
Page Count 128
Imprint Phaidon Press Ltd
Publisher Phaidon Press Ltd
Weight(grams) 509g
Dimensions(mm) 305mm * 225mm * 10mm
In his pre-war painting, stylistic concerns were of secondary importance to Magritte, whose main interest was in ideas or propositions about the world; for example, many of his paintings explore the relation between objects and words or between the image of an object and the object itself. He deliberately cultivated a cold, unemotive, 'style-less' style. This quality renders the images of violence and macabre sexuality in some of his works all the more disturbing. His own 'impressionist' and vache (ugly, crude) pictures of the 1940s have been rediscovered in the last few years by a younger generation of painters and critics keenly responsive to the later work of other masters of parody and allusion such as Picabia and de Chirico.
Richard Calvocoressi's highly successful introduction to Magritte was first published in 1979 and revised and enlarged by the addition of notes to the colour plates and many black-and-white illustrations.
About the Author
Richard Calvocoressi has been director of the Scottish National Gallery of Modern Art since 1987. In May 2007 he will move to head up the Henry Moore Foundation in Hertfordshire.
Reviews
On the Colour Library Series
"Ideal introductions for students and museum-goers."-Independent
"Phaidon's excellent Colour Library series: [...] a good introduction to nearly 50 key artists and movements in art history."-Antiques Trade Gazette
"The Phaidon Colour Library Series provides an invaluable introduction to key artists and movements in art history."-Art & Craft
Book Information
ISBN 9780714827605
Author Richard Calvocoressi
Format Paperback
Page Count 128
Imprint Phaidon Press Ltd
Publisher Phaidon Press Ltd
Weight(grams) 509g
Dimensions(mm) 305mm * 225mm * 10mm
