Description
This book is full of fresh ideas, ideas that have a kind of timeliness to them such that one gives ones assent as soon as one reads them. The author's voice is welcoming, accessible, and jargon-free. The scholarship is sound and deep, but the manner of the telling is light, intelligent, quickly flowing, and unponderous. -- Thomas R. Trautmann, University of Michigan This is imaginative and innovative scholarship that jumps over the walls between religious studies, art history, and cultural criticism. The case studies of images are wide-ranging, from temple lootings in medieval wars and representations of Indo-Muslim iconoclasm, to colonial recodings, modern commodifications, and revisions on the part of contemporary India's religious right. Davis walks the reader through great historical periods pointing out everywhere the situated practices by which the meanings of images are constantly being remade. -- Sheldon Pollock, University of Chicago
About the Author
Richard H. Davis is Associate Professor of Religious Studies at Yale University. His previous publications include Ritual in an Oscillating Universe: Worshiping Siva in Medieval India (Princeton).
Reviews
Winner of the 1999 Ananda Kentish Coomaraswamy Book Prize, South Asia Council of the Association of Asian Studies "This book offers a new way of discussing images in Indian history that goes beyond the formal analysis of traditional art history."--Choice "This is the best kind of scholarly book: literate, not without a sense of humor, genuinely informative, pertinent and consequential, and accessible yet highly erudite. A triumph."--The Times Higher Education Supplement "Davis writes with an elegance not common in scholarly books."--Journal of Asian Studies "Davis masterfully explores the intersections among possible frames for understanding Indian images... Essential reading not only for anyone interested in the ways in which cultural interactions have changed over the centuries."--Religious Studies Review "Richard Davis has again produced a book that is rich with many layers of meaning and beauty, a book that causes the reader to give pause to previous notions about Indian art and the ways in which we view it... This is a book that could only have been created with vigorous, meticulous research and the pulling together of sources not ordinarily converging in one study."--Critical Review of Books in Religion
Awards
Winner of Association for Asian Studies South Asia Council Ananda Kentish Coomaraswamy Book Prize 1999.
Book Information
ISBN 9780691005201
Author Richard H. Davis
Format Paperback
Page Count 352
Imprint Princeton University Press
Publisher Princeton University Press
Weight(grams) 539g