Description
As John Wayne's character said in The Alamo: "There's right and there's wrong. You got to do one or the other." The ultimate measure of a man is how he chooses to act. From the pithy to the humorous to the profound, the film career of the man known as The Duke is full of life lessons for today. In John Wayne's Way, author Doug Brode explores the film legacy of the Duke and provides commentary on the lessons learned from the archetypes of the West and American manhood Wayne displayed on the silver screen. Complete with quotes and photographs from the movies, these pithy lessons will be appealing to John Wayne fans and Western film buffs.
About the Author
Douglas Brode is a screenwriter, playwright, novelist, film historian, and multi-award winning journalist. He is the author of more than 30 books on film and the mass media.
Reviews
Marion Morrison of Winterset, IA, moved to Southern California in 1914 at age seven. He went to the University of Southern California on a football scholarship, which led to bit parts in the movies, and was noticed and rebranded as John Wayne. In 1939, the director John Ford made him a star in the movie Stagecoach. Wayne made two dozen films with Ford and remained a renowned actor until his death in 1979. Eliot, who has written biographies of Cary Grant, Clint Eastwood, and Walt Disney, studies Wayne as an auteur. Eliot's focus is on the films-how they got made, their messages, the acting, and the critical and public response. He particularly highlights Wayne's politics. Unlike most of the big stars of that time, Wayne did not serve in the armed forces in World War II, and Eliot traces his superpatriotism and anticommunist fervor to that fact. The actor detested the 1952 Western High Noon, starring Gary Cooper, as thoroughly un-American and repeatedly pushed a hard-line message in his films such as The Alamo (1960) and The Green Berets (1968). It's a readable, solid book based on library research. Screenwriter and playwright Brode's book is a well-illustrated guide to the Duke's films, describing each with a short life lesson (e.g., the lesson from 1968's Hellfighters is 'A man's gotta do what a man's gotta do; his woman must either accept and live with that or cut and run.' VERDICT Eliot's book is a great account of the star's life more for film buffs in general than for fans of Wayne. Brode's well-done work will make an excellent present for those who love Wayne's films. * Library Journal *
This volume is a chatty, often humorous or pithy, overview of John Wayne and Wayne's characters in film. The author explores the film legacy of the Duke, providing commentary on the lessons learned from the archetypes of the West. * Communication Booknotes Quarterly *
Book Information
ISBN 9781493039296
Author Douglas Brode
Format Paperback
Page Count 192
Imprint TwoDot Books
Publisher Globe Pequot Press
Weight(grams) 272g
Dimensions(mm) 216mm * 140mm * 12mm
About the Author
Douglas Brode is a screenwriter, playwright, novelist, film historian, and multi-award winning journalist. He is the author of more than 30 books on film and the mass media.
Reviews
Marion Morrison of Winterset, IA, moved to Southern California in 1914 at age seven. He went to the University of Southern California on a football scholarship, which led to bit parts in the movies, and was noticed and rebranded as John Wayne. In 1939, the director John Ford made him a star in the movie Stagecoach. Wayne made two dozen films with Ford and remained a renowned actor until his death in 1979. Eliot, who has written biographies of Cary Grant, Clint Eastwood, and Walt Disney, studies Wayne as an auteur. Eliot's focus is on the films-how they got made, their messages, the acting, and the critical and public response. He particularly highlights Wayne's politics. Unlike most of the big stars of that time, Wayne did not serve in the armed forces in World War II, and Eliot traces his superpatriotism and anticommunist fervor to that fact. The actor detested the 1952 Western High Noon, starring Gary Cooper, as thoroughly un-American and repeatedly pushed a hard-line message in his films such as The Alamo (1960) and The Green Berets (1968). It's a readable, solid book based on library research. Screenwriter and playwright Brode's book is a well-illustrated guide to the Duke's films, describing each with a short life lesson (e.g., the lesson from 1968's Hellfighters is 'A man's gotta do what a man's gotta do; his woman must either accept and live with that or cut and run.' VERDICT Eliot's book is a great account of the star's life more for film buffs in general than for fans of Wayne. Brode's well-done work will make an excellent present for those who love Wayne's films. * Library Journal *
This volume is a chatty, often humorous or pithy, overview of John Wayne and Wayne's characters in film. The author explores the film legacy of the Duke, providing commentary on the lessons learned from the archetypes of the West. * Communication Booknotes Quarterly *
Book Information
ISBN 9781493039296
Author Douglas Brode
Format Paperback
Page Count 192
Imprint TwoDot Books
Publisher Globe Pequot Press
Weight(grams) 272g
Dimensions(mm) 216mm * 140mm * 12mm
