Five characters share a common thread: Joanne. But it's not about her. It's about Stella, whose tomorrow is as far away as winter from summer. It's the way Grace finds her song on the footpath between two cars. It's about Alice's MBA wasted on plugging holes, Kath's patients crawling alongside her after the night shift and it's Becky caught in the crosshairs of what's best and what's right for her students.

But what about her? What about Joanne?

In Joanne, five of the most exciting voices in theatre explore the pressures on our public services as one young woman buckles under pressures of her own.

The play comprises five interconnected short plays for a solo performer, written by Deborah Bruce, Theresa Ikoko, Laura Lomas, Chino Odimba and Ursula Rani Sarma.

Commissioned by Clean Break, Joanne premiered at Latitude Festival in 2015, before transferring to Soho Theatre, London.

About the Author
Deborah Bruce is a writer and theatre director. Her plays include: Dixon and Daughters (Clean Break/National Theatre, 2023); Raya (Hampstead Theatre, 2021); The House They Grew Up In (Minerva Theatre, Chichester, 2017); The Distance (Orange Tree Theatre and Sheffield Crucible, 2014; a finalist for the 2012-13 Susan Smith Blackburn Prize); Same (National Theatre Connections Festival 2014); and Godchild (Hampstead Theatre, 2013). Laura Lomas is a playwright and screenwriter. Her plays include: The House Party after August Strindberg's Miss Julie (Chichester Festival Theatre / Headlong / Frantic Assembly, 2024); Metamorphoses, co-written with Sami Ibrahim and Sabrina Mahfouz, after Ovid (Shakespeare's Globe, 2021); Chaos (National Theatre Connections); The Blue Road (Dundee Rep, Derby Theatre, Royal & Derngate and Theatre Royal Plymouth youth companies); Joanne (Clean Break & Soho Theatre); Bird (Root Theatre and Echo); Blister (Paines Pough/Royal Welsh College of Music and Drama); Open Heart Surgery (Theatre Uncut); Come to Where I'm From (Paines Plough); Some Machine (Paines Plough/Rose Bruford); The Island (Nottingham Playhouse/Det Norske Oslo); Us Like Gods (Hampstead, Heat and Light); Gypsy Girl (Paines Plough Later at Soho) and Wasteland (New Perspectives/Derby Theatre; shortlisted for the Brian Way Award). Radio plays include My Boy (BBC Radio 4 Afternoon Play; Bronze SONY Award for best radio drama) and Lucy Island (BBC Radio 3). Her screen work includes Rough Skin (Touchpaper/Channel 4; shortlisted for Best British Short at British Independent Film Awards and Raindance Film Festival). She has also written two episodes of Glue (E4/Eleven Films), and has been commissioned by BBC Radio 4, Manchester Royal Exchange, and jointly by Clean Break and Birmingham Rep. She was a MacDowell Colony Fellow 2013, and a Yaddo Fellow 2014. Chinonyerem Odimba is a playwright and screenwriter. Her plays include: Black Love (Paines Plough, 2021); Unknown Rivers (Hampstead Theatre, 2019); Princess and the Hustler (Eclipse Theatre Company, Bristol Old Vic and Hull Truck Theatre co-production, 2019); Amongst the Reeds (Clean Break, Edinburgh Fringe and Yard Theatre, London, 2016); A Blues for Nia (Eclipse Theatre/BBC); His name is Ishmael (Bristol Old Vic, 2013); The Birdwoman of Lewisham (Arcola, 2015) and Joanne (Clean Break, Soho Theatre, 2015). She is a winner of the Channel 4 Playwrights' Scheme 2016 (formerly the Pearson Playwrights' Scheme). Her screenplay Scotch Bonnet was filmed by the BBC for The Break, a series of short films.

Reviews

'Intense and uncompromising... the quality of writing is intriguing throughout'

* WhatsOnStage *

'Powerful... drives home the tragedy at the piece's core'

* Time Out *

'Both personal and universal'

* Exeunt *



Book Information
ISBN 9781848425446
Author Deborah Bruce
Format Paperback
Page Count 56
Imprint Nick Hern Books
Publisher Nick Hern Books