In modern western history, the cultural and social developments of modernism have long been associated with Jews. For conservative groups this has been a negative association: the perceived breakdown of traditional norms was blamed on Jewish influence in politics, society, and the arts. Throughout Europe, Jews were viewed as carriers of industrialized and cosmopolitan developments that threatened to undermine a cherished way of life. This anthology speaks to this issue through the lens of modernist visual production including paintings, posters, sculpture, and architecture. Essays by scholars from the U.S. and Israel confront the contradictory impulses that modernism's interaction with Jewish culture provoked. Discussing how religion, class, race, and political alignments were used to provide attacks on modern art, the scholars also comment on visual responses to anti-semitism and the mainstream success of artists in the U.S. and Israel since World War II.

About the Author
ROSE-CAROL WASHTON LONG is professor of art history, The Graduate Center, CUNY. MATTHEW BAIGELL is emeritus professor of art history, Rutgers University. MILLY HEYD is Nicolas Landau Professor of Modern Art in the Department of the History of Art at Hebrew University, Jerusalem.


Book Information
ISBN 9781584657958
Author Rose-Carol Washton Long
Format Hardback
Page Count 356
Imprint Brandeis University Press
Publisher Brandeis University Press