A reexamination of Austen's unpublished writings that uncovers their continuity with her celebrated novels-and that challenges distinctions between her "early" and "late" work

Jane Austen's six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen's first biographer described them as "childish effusions." Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.

Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen's regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative, according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen's work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.

Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things.

About the Author
Freya Johnston is Associate Professor of English at the University of Oxford. She is the coeditor of Jane Austen's Teenage Writings and the author of Samuel Johnson and the Art of Sinking, 1709-1791.

Reviews
"An A Kennedy Smith Book of the Year"
"Fans of Jane Austen will enjoy Freya Johnston's Jane Austen, Early and Late, which examines some of the teenage writings from the author of Pride and Prejudice, many of which were, surprisingly, full of 'gallows humour.'"---Martin Chilton, Independent
"If you know your Austen, this book is a dream."---Norma Clarke, Literary Review
"Austenites will appreciate the historical context Johnston provides. . . . Students and devotees of Austen will appreciate the light shed on a lesser-known part of her career." * Publishers Weekly *
"A wonderfully expansive reimagining of the corpus. . . . The great achievement of Johnston's book is putting us face-to-face with the writing itself: with the sheer compositional energy of Austen's work."---Alex Woloch, Nineteenth-Century Contexts
"In a stream of perceptive and engaging close readings of Austen's writing, the book insists on stylistic, thematic and conceptual connections not only between her juvenilia and published novels, but among all the author's written output. . . . Johnston also weaves into her analysis a stunning array of works that likely constituted Austen's own reading."---Michelle Levy, Review of English Studies
"The delicate but strong web of argument which is spun in this book, by an author who has read everything written by Austen's contemporaries and everything written about her, will delight the scholar. General readers who are willing to follow the book's intricacies will also be rewarded with a range of fascinating insights into a writer whose oeuvre has become almost too familiar, so great is her popular appeal."---Michael Wheeler, Church Times



Book Information
ISBN 9780691229805
Author Freya Johnston
Format Paperback
Page Count 296
Imprint Princeton University Press
Publisher Princeton University Press