Second-generation Irish musicians have played a vital role in the history of popular music in England. This book explores the role of Irish ethnicity in the lives and work of these musicians, focusing on three high-profile projects: Kevin Rowland and Dexys Midnight Runners, Shane MacGowan and The Pogues, and Morrissey/Marr and The Smiths. The book locates these musicians in a hyphenated 'Irish-Englishness' marked by 'in-between-ness' and explores the different ways that they engaged with this in-betweenness through their creative work and their engagements with audiences, the media and the music industry. The book draws on extensive archival research of print and audio-visual media as well as original interviews with the key figures, including Shane MacGowan, Johnny Marr, Kevin Rowland and Cait O'Riordan. Combining its assiduous research with fresh critical insights, the book offers new analyses of the musicians, as well as previously undocumented accounts of their lives and work. The book highlights the diversity and complexity of second-generation Irish identities and experience and details the diverse ways in which this generation has shaped popular music in England. Accessible and original, 'Irish Blood, English Heart' will be of interest to students and scholars in the fields of popular music, media/cultural studies, and ethnic/migration studies. It will also appeal to a wider audience of those interested in the musicians with whom it deals.

About the Author
Sean Campbell is Senior Lecturer in the Department of English and Media at Anglia Ruskin University, UK, and is the co-author of Beautiful Day: 40 Years of Irish Rock (Cork University Press, 2005).

Reviews
This is an excellent piece of scholarship, offering an erudite mix of rigorous cultural history and insightful musical analysis. It is a major contribution to popular music scholarship generally and Irish popular music in particular. It very deftly opens up and gives critical texture to the complexities of the in-between spaces of the English/Irish musical world, and significantly forwards discussions of hybridity. Noel McLaughlin, co-author of Rock and Popular Music in Ireland The role of the second-generation Irish in shaping British pop has, until now, been all but overlooked. Sean Campbell looks deeply and thought-provokingly at the second-generation Irish 'in-betweenness' of Kevin Rowland, Shane MacGowan and, perhaps most surprisingly, Morrissey and Johnny Marr of The Smiths, that seemingly most English of pop groups. He sheds new light on their songs and on the strategies of protest, resistance and assimilation articulated therein. 'Irish Blood, English Heart' is a constantly intriguing and often provocative book about the complex process - and peculiar freedom - of not wholly belonging to one culture or the other. Sean O'Hagan, The Observer This is not just a subtle and sophisticated scholarly contribution to popular music and Irish studies. It is also a fine and exciting account of how music can be used to make sense of the complexity, anxiety and exhilaration of contemporary cultural identities. Simon Frith, Tovey Professor of Music, University of Edinburgh This is a highly valuable book on the Irish diaspora and the politics of post-imperial popular culture in the UK. It reveals how Irish-English musicians struggled and succeeded in making the nation's multi-ethnic history and culture more audible and visible in a particularly inhospitable climate for the Irish. The book makes a significant contribution to the cultural history of the 1970s and 1980s, and contains lessons for the present in which England and the United Kingdom continue to fashion other 'enemies within' Nabeel Zuberi, author of Sounds English


Awards
Winner of Hot Press Music Book of the Year 2011 and Sunday Times Music Book of the Year 2011.



Book Information
ISBN 9781859184615
Author Sean Campbell
Format Hardback
Page Count 272
Imprint Cork University Press
Publisher Cork University Press