Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. "Influences" is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also - perhaps even primarily - functional. From the fresco cycles at Caprarola, to the Vatican's Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, "Influences" adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.
About the AuthorMary Quinlan-McGrath is associate professor of art history at Northern Illinois University.
Book InformationISBN 9780226922843
Author Mary Quinlan-McGrathFormat Hardback
Page Count 304
Imprint University of Chicago PressPublisher The University of Chicago Press
Weight(grams) 567g
Dimensions(mm) 23mm * 16mm * 2mm