The hit television program American Idol provides a stage where the politics of national, regional, ethnic, and religious identity are performed for millions of viewers. Diversity is carefully highlighted and coached into a viable commodity by judges, argues Katherine Meizel, with contestants packaged into familiar portraits of American identities. Consumer choice, as expressed by audience voting, also shapes the course of the show-negotiating ideas of democracy and opportunity closely associated with the American Dream. Through interviews with audience members and participants, and careful analyses of television broadcasts, commercial recordings, and print and online media, Meizel demonstrates that commercial music and the music industry are not simply forces to be criticized or resisted, but critical sites for redefining American culture.

How a TV show changed the way we hear America singing

About the Author

Katherine Meizel is Visiting Assistant Professor at the Oberlin Conservatory of Music.

Reviews

[An] engaging critical [investigation] of nationalist music politics. . . Katherine Meizel persuasively theorizes that American Idol is important because it constructs and voices narratives about American nationalism, while pop-song performances mark boundaries between Americans and Others.Dec 2012

* Notes *

Meizel writes with a clarity and intelligibility that makes her analysis of the phenomenon of the show compelling even for those who are not interested in the show itself. She takes a broad view of the show, using plenty of outside sources to put it in context. She not only brings understanding to many aspects of the show but also uses the show to bring understanding to issues of media and American culture.

* Music Reference Services Quarterly *



Book Information
ISBN 9780253222718
Author Katherine L. Meizel
Format Paperback
Page Count 320
Imprint Indiana University Press
Publisher Indiana University Press
Weight(grams) 454g
Dimensions(mm) 229mm * 152mm * 21mm