The Birmingham-born, Turner Prize-nominated artist Hurvin Anderson is best known for his brightly painted, densely detailed landscapes and interior scenes, which are drawn from his own photographs, sketches and personal recollections particularly those relating to his upbringing in the Afro-Caribbean community in the Midlands, as well as more recent trips to the Caribbean. Anderson s luscious paintings have hybridity at their heart. A tug-of-war plays out between abstraction and figuration, nature versus the manmade, beauty and menace, and his British and Jamaican heritage. Born in the United Kingdom as a member of the Jamaican diaspora, Anderson relates to the Caribbean as both insider and outsider, aware of the mythmaking that the idea of lost or future paradise generates. Anderson, the youngest of eight children, grew up listening to his family reminisce about their lives in the Caribbean before they moved to England in the 1960s, an emotional through-line to his work, suggesting the longing and loss that keeps certain geographies alive in us. This book, Anderson s first major monograph, has been carefully curated by the artists himself and includes paintings, sketches, source material and ephemera, studio shots, and a series of black-and-white drawings created exclusively for this publication. The volume also features an in-depth and deeply considered essay by art historian Catherine Lampert, a text by poet and writer Roger Robinson, and an illustrated chronology.

About the Author
Catherine Lampert is an independent curator and art historian. She has curated numerous exhibitions at the Hayward Gallery, the Royal Academy of the Arts, and the Whitechapel Gallery, where she was director from 1988 to 2001. The subjects of these exhibitions have ranged from old to contemporary masters, including Auguste Rodin, Honore Daumier, Frank Auerbach, Lucian Freud, Peter Doig, and Michael Andrews. Roger Robinson is a British writer, musician, and performer who lives between England and Trinidad. His book A Portable Paradise (Peepal Tree Press) won the prestigious T. S. Eliot Prize 2019, announced in London in January 2020. He is the second writer of Caribbean heritage to win the prize, the highest value award in UK poetry, after Derek Walcott who won the prize in 2010.

Reviews
Best Black Art Books 2022: "A major monograph, "Hurvin Anderson" gathers more than two decades of lush interior and exterior scenes by one of the most highly regarded Black artists working today. Blending abstraction and figuration, British artist Hurvin Anderson paints transporting landscapes and spaces of familial, cultural, and communal significance, including barber shops, country clubs, and swimming pools, scenes informed by his Jamaican heritage and UK experiences." -CULTURE TYPE

"This monograph, the first to catalog Hurvin Anderson's extensive body of work, begins in 2000, near the beginning of his career, and stretches to his more contemporary works-a survey that showcases the ways in which the artist's style and themes have evolved over time. In his paintings, Anderson uses both realism and abstraction, blurring the lines between metaphors, history and his own memories to explore his Afro-Caribbean heritage, and the complexities of that identity within the context of his British citizenship and upbringing. The book is peppered with poems by actor Roger Robinson, some refreshing the narrative behind the paintings, others offering a completely different take." -VANITY FAIR



Book Information
ISBN 9780847872176
Author Catherine Lampert
Format Hardback
Page Count 320
Imprint Rizzoli International Publications
Publisher Rizzoli International Publications