Description
'A magic portrayal of modern life in the peripheries' Amy Liptrot, author of The Outrun 'Full of insight, empathy and wry laughter' M John Harrison, author of Nova Swing Out walking Ada Robinson's dog while his wife drinks herself into a forgetful fug, Harry Maiden discovers an intricate system of caves beneath the wind turbines. Over at the Woolpack one night, Rosco re-encounters friendships he thought he'd left behind at the Stubbins paper mill. Mad old Gos leads a mysterious treasure hunt to the Bronze Age burial site at Whitelow Cairn. This is the Hollow in the Land: a corner of England teeming with mystery and intrigue and filled with real, flesh-and-blood characters, each of them at a different point along life's journey through childhood hopefulness, faded first love and middle-aged disillusionment. Hollow in the Land uncovers the small everyday mysteries of their lives - and ours. 'A beautifully melancholy and worldly book. Clarke's characters may lead quiet, thwarted lives but his prose is generous and electrifying, unjudgmental and assured. A brilliant new talent' Colin Barrett, author of Young Skins
Welcome to the Hollow in the Land: from its neglected high streets to the isolated wilderness of the surrounding moors, this Lancashire valley bursts with unforgettable characters, minor intrigues and all the rich strangeness of life in England today. For readers of Jon McGregor, Colin Barrett and Alice Munro.
About the Author
James Clarke grew up in the Rossendale Valley, Lancashire. His debut novel The Litten Path was written while studying at the Manchester Writing School, and went on to win the Betty Trask Prize. He lives in Manchester where he is working on his third novel.
Reviews
full of insight, empathy and wry laughter -- M. John Harrison * Guardian *
On show throughout is Clarke's exuberant talent: he is a joy to read ... a powerful and tantalizing patchwork, comparable in style to Jon McGregor -- Catherine Taylor * TLS *
There is an American influence on James Clarke's writing - Raymond Carver, Richard Ford, Denis Johnson - but the accent is English, matter-of-fact, which makes the vivid observations and moments of grace all the more vivid. Hollow in the Land is at its best when dealing with men struggling with their place in the world, how even to talk about it, in voices imbued with place and time and class. Their story is a story of England today. -- Anthony Cartwright, author of Iron Towns
James Clarke's collection of loosely interlinked stories is set in an overlooked Lancashire valley that determinedly refuses to romanticise a landscape blasted by foot and mouth, lack of opportunity and widespread economic deprivation. Clarke's prose is appropriately unvarnished, able to get to the truth of things without fanfare but with plenty of compassion * Daily Mail *
Like Benjamin Myers and Jon McGregor, James Clarke is bringing a new consciousness to Northern England, an awareness of its uniqueness, natural beauty and threat are the basis of his writing ... He brings something of the sensibility of James Kelman to his writing, but also (perhaps) some of the American tradition of short stories set in one place, whether William Faulkner's Yoknapatawpha County or Chris Offutt's Kentucky Straight collection. James Clarke also shares with them one of the great qualities of the short story writer, the ability to craft a final sentence that keeps the story running off the page in the reader's mind. * Bookmunch *
James Clarke is such a generous writer - these linked stories cover just days or even hours in the lives of his shabby, scarred characters, but open long perspectives into whole complex histories of loss and ambition and desire, played out against a beautifully observed small-town landscape, where every second person is someone you know from school or work or tragic misadventures. Clarke's prose is rich in detail, with many moments of quiet wisdom, and his lovely, subtle endings glow long past the final phrases. * Jo Lloyd, author of The Earth, Thy Great Exchequer, Ready Lies *
Set in Lancashire, Clarke's second novel is a series of linked stories that thrust the reader into a world where violence hovers on the edges and laughter hides a multitude of sins. * The i *
A cracking, lively novel about the trials and tribulations of everyday existence in a run-down Lancashire valley town * Metro *
Book Information
ISBN 9781788163514
Author James Clarke
Format Hardback
Page Count 272
Imprint Serpent's Tail
Publisher Profile Books Ltd
Weight(grams) 451g
Dimensions(mm) 222mm * 144mm * 30mm
Welcome to the Hollow in the Land: from its neglected high streets to the isolated wilderness of the surrounding moors, this Lancashire valley bursts with unforgettable characters, minor intrigues and all the rich strangeness of life in England today. For readers of Jon McGregor, Colin Barrett and Alice Munro.
About the Author
James Clarke grew up in the Rossendale Valley, Lancashire. His debut novel The Litten Path was written while studying at the Manchester Writing School, and went on to win the Betty Trask Prize. He lives in Manchester where he is working on his third novel.
Reviews
full of insight, empathy and wry laughter -- M. John Harrison * Guardian *
On show throughout is Clarke's exuberant talent: he is a joy to read ... a powerful and tantalizing patchwork, comparable in style to Jon McGregor -- Catherine Taylor * TLS *
There is an American influence on James Clarke's writing - Raymond Carver, Richard Ford, Denis Johnson - but the accent is English, matter-of-fact, which makes the vivid observations and moments of grace all the more vivid. Hollow in the Land is at its best when dealing with men struggling with their place in the world, how even to talk about it, in voices imbued with place and time and class. Their story is a story of England today. -- Anthony Cartwright, author of Iron Towns
James Clarke's collection of loosely interlinked stories is set in an overlooked Lancashire valley that determinedly refuses to romanticise a landscape blasted by foot and mouth, lack of opportunity and widespread economic deprivation. Clarke's prose is appropriately unvarnished, able to get to the truth of things without fanfare but with plenty of compassion * Daily Mail *
Like Benjamin Myers and Jon McGregor, James Clarke is bringing a new consciousness to Northern England, an awareness of its uniqueness, natural beauty and threat are the basis of his writing ... He brings something of the sensibility of James Kelman to his writing, but also (perhaps) some of the American tradition of short stories set in one place, whether William Faulkner's Yoknapatawpha County or Chris Offutt's Kentucky Straight collection. James Clarke also shares with them one of the great qualities of the short story writer, the ability to craft a final sentence that keeps the story running off the page in the reader's mind. * Bookmunch *
James Clarke is such a generous writer - these linked stories cover just days or even hours in the lives of his shabby, scarred characters, but open long perspectives into whole complex histories of loss and ambition and desire, played out against a beautifully observed small-town landscape, where every second person is someone you know from school or work or tragic misadventures. Clarke's prose is rich in detail, with many moments of quiet wisdom, and his lovely, subtle endings glow long past the final phrases. * Jo Lloyd, author of The Earth, Thy Great Exchequer, Ready Lies *
Set in Lancashire, Clarke's second novel is a series of linked stories that thrust the reader into a world where violence hovers on the edges and laughter hides a multitude of sins. * The i *
A cracking, lively novel about the trials and tribulations of everyday existence in a run-down Lancashire valley town * Metro *
Book Information
ISBN 9781788163514
Author James Clarke
Format Hardback
Page Count 272
Imprint Serpent's Tail
Publisher Profile Books Ltd
Weight(grams) 451g
Dimensions(mm) 222mm * 144mm * 30mm
