Description
Wesley's distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father-both music teachers-and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie's band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions.
Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley's story of music-making in all its grit and glory.
Paperback version of a book published in Fall 2002. The famous trombonist and arranger from the James Brown band and Parliament-Funkadelic tells his own story
About the Author
Fred Wesley Jr. is an accomplished trombonist renowned for his contributions to funk and jazz music over the past several decades. Working for James Brown from 1968-75, he was instrumental in the production of such milestone recordings as The Payback; Doing It to Death; Get on the Good Foot; and Say It Loud, I'm Black and I'm Proud, as well as the scoring of the soundtracks to Black Caesar and Slaughter's Big Rip-Off. In the 1990s Wesley toured extensively with Pee Wee Ellis and Maceo Parker, before forming his own band. Wesley continues to tour and play music. He also writes, lectures, and conducts workshops on jazz and funk music. Wesley lives in South Carolina.
Reviews
"As passionately crafted as one of his solos, Hit Me, Fred becomes a shout-out to all sidemen who play their hearts out--just outside the spotlight. As a musician, Wesley could always capture the feverish moment. Now, as a storyteller, he has revealed yet another way to take us higher." * Boston Globe *
"[Fred Wesley is] one of the most influential instrumentalist/composer/arrangers in the annals of R&B, soul-jazz, and hip-hop . . . [and] one of the most sampled musicians in the world today." -- Timothy White * Billboard *
"[T]he book reads easily-it sounds like Fred's telling you all this over a plate of rice 'n' ribs. . . . When James [Brown] and George [Clinton] are long gone, the music they brought to life between 1967 and 1977 will still be tearing the roof off the sucker-and Fred Wesley was an indispensable part of that revolution." -- Dan Warburton * Signal to Noise *
"A remarkable autobiography. . . . This candid and hilarious account of working alongside James Brown, Parliament/Funkadelic, and on his own, should solidify [Wesley's] reputation as much as the music he created." * DownBeat *
"In his autobiography Hit Me, Fred, Mr. Wesley talks about dancing around the continent-size ego of James Brown. He juxtaposes the courtliness of the South against the hardscrabble desperation of poverty, mentioning the hideous conditions that created Brown though understanding that nothing could explain his boss's monstrous behavior." -- Elvis Mitchell * New York Times *
Book Information
ISBN 9780822335481
Author Fred Wesley
Format Paperback
Page Count 344
Imprint Duke University Press
Publisher Duke University Press
Weight(grams) 522g