A long-awaited resource for the young operatic singer, this annotated guide brings together many sources to start the journey toward powerful, informed performance. An extensive discussion of fach and audition repertoire is followed by more than 400 arias organized by voice type, including canonical, contemporary, and obscure works from different languages. Each entry includes level of difficulty, voice/character type, special techniques, tessitura, and accompaniment. Full of detailed and insightful commentary from internationally renowned singers, directors, coaches, and other professionals-Regina Resnik, Sherrill Milnes, Carol Vaness, and Warren Jones, to name a few-this volume will be invaluable to the performer, student, and teacher of operatic repertoire throughout their developing careers.

An invaluable guide to some of the most demanding aria excerpts

About the Author

Mark Ross Clark is Director of Opera and Musical Theatre at the University of Louisiana-Monroe and directs the Louisiana Lyric Opera. He is author of Singing, Acting, and Movement in Opera (IUP, 2002).

Reviews

Clark . . . has compiled a guide to opera repertory for solo voice. . . . This work can be compared to Berton Coffin's Singer's Repertoire (2nd ed., 1962), which covers the art song in much the same manner. . . . Recommended.

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Book Information
ISBN 9780253218100
Author Mark Ross Clark
Format Paperback
Page Count 624
Imprint Indiana University Press
Publisher Indiana University Press